Monday, December 24, 2007

I Remember Tomorrow by William Butler

Why did you pick the setting you used in your story?
  • The adage "write what you know" applies here. While raised in the metropolitan environment of Los Angeles, the past 25 years of my life have been spent in the rural environment of Northeast Texas. Because I wanted to write a story that felt like real people, I chose the smaller, more comfortable setting of a community much like the one I've come to know in my current hometown.
  • Why you chose that particular setting?
    Again, it was important that the story feel small and comfortable. My desire was to create a world that the reader could "snuggle up to" like a warm blanket on a cold night.
  • What does the setting add to the story?
    The setting lends itself to the feeling of a close-knit community. A place where, for the most part, everyone knows everyone else. Small town American is an ideal; a place we've seen on the cover of the Saturday Evening Post; a place we've read about but that most of the country has never really visited.
  • Could you write the same story in a different setting?
    Yes... but the effect would not have been the same. I could have placed my main character in a larger city; one with planes, trains, and automobile but it would have been a very different story.
  • Why or why couldn't you use a different setting?
    My main character is running from her past. She's running from a failed marriage (hmm, imagine that) and a life filled with too many people. To drop her in a place just like the one from which she was fleeing would not have provided the change she sought.
  • Did you use a real place as a basis for your setting? Or, did you create the setting from scratch?
    While based heavily on the actual city where I live, I changed the name of the town and mixed things up a bit.
  • Is there anything else about your setting that we need to know? Feel free to share.
    Not really. I try to write according to what I believe are my strengths: dialogue and setting. I go to great lengths to paint a picture of a surroundings, up to and including weather and the physicality. I want the reader to see, hear, smell, and feel the environment I've drawn. As such, there are continued references (either in dialogue or narrative) to those aspects of the setting.
  • Please provide your website link.
    http://iremembertomorrow.com
  • What is the link to buy your book?
    http://www.amazon.com/I-Remember-Tomorrow-William-Butler/dp/1424188903/ref=sr_1_1?ie=UTF8&s=books&qid=1195934294&sr=1-1
  • Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?
    Northeast Texas is called the Piney Woods area of the state. Most envision Texas as a part of the southwest. However, this part of the state has a more "woodsy" feel to it. Wooded areas abound; even in the larger cities. It is a farming and ranching environment full of harvest festivals in the fall of every year. Winters are cold and wet with the occasional snowfall. Summers are hot and humid with heavy thunderstorms, and the subsequent threat of tornadoes, frequenting the area. The rural communities tend to be quiet and comfortable. But like most such places, that's just the surface. Scratch beneath that and you will find the same things here as in any other community. Every town has its secrets. The area (much like the state as a whole) tends to be rather conservative. There are many, many churches--more than one would think the community could support. High School football is important. But that seems to be true for Texas as a whole rather than something reserved for small towns. For the most part, it's the kind of place where you can raise a family and worry less that the environment will have a greater influence than the family.
  • Now, what's the title of your book and where can we buy it?
    Title: I Remember Tomorrow (ISBN: 1424188903)
    Where to buy:
    Amazon or the publisher's website http://www.publishamerica.com
    Synopsis: Jeanette just wants to be normal. She wants to have a good job, meet someone she can love, and someday get married and have a family. She just wants to be happy. But fate whispers to her, tells her its secrets, and shows her the things it knows. And so, when she relocates, trying to start a new life after a failed marriage, she quickly learns her past is the least of her worries, because the future is the thing that scares her most. Now, rather than finding happiness, she’s trying hold onto her sanity—because tomorrow is here and she remembers tomorrow.

Sunday, December 16, 2007

Bloody Halls by Carl Brookins



















Why did you pick the setting you used in your story? I'm not
looking for -- "becauseI live there". I want you to dig deep
and tell us...

The college I write about in this new series is
an urban institution. It was conceived to serve a
specific audience--working adults with some
college; individuals who frequently have a family.
A student profile--at the time I'm writing about,
(the early 70's) would be a single female parent
working half to full time, often divorced. This
woman would be between 27 and 31 years of age and
had dropped out of college because of marriage or
pregnancy, or because the program didn't fit her
needs at the time. But many were successful in
careers, still, they were seeing promotional
opportunities missed because they didn't a
bachelor's degree.

This was a real, setting in a large Midwestern city.

Why you chose that particular setting?
Because I lived it and because at the time it was a
unique and highly individual institution that lent
itself to a wide variety of situations and circumstances.

What does the setting add to the story?
The unique richness of a modern urban city.

Could you write the same story in a different setting?
Sure, but it would be a different story. The rhythms, textures
and colors of every city are different in broad and subtle ways.
Had the city been in Oklahoma or Idaho the stories and the feeling
would have been different.

Why or why couldn't you use a different setting?
I wanted to use a place I was very familiar with and one in
which some of the action really took place. This book/series is
rooted in reality, real places, real weather, reality. On the other
hand I have never hesitated to move buildings, create alleys where
there aren't any, or insert a park. After all, cities aren't static.
Planners change streets from two-way to one way, add developments.
So the dynamic city I write about, and the interesting characters
who populate the pages of my books are ever changing. So why shouldn't
I anticipate that if it serves to make the novel a more enjoyable
experience for the reader?

Did you use a real place as a basis for your setting?
As I said above.

Or, did you create the setting from scratch?
All my books use real places, sometimes altered slightly to
serve the stories

Is there anything else about your setting that we need to know?

This is not New York, Philadelphia, Washington or Los Angeles.
Yet the Twin Cities share some similar characteristics with those
other places, They have some of their own unique characteristics
that you won't find anywhere else. Our mean streets can be as
mean as anyplace. Or as gentle.

Please provide your website link.
www.carlbrookins.com

What is the link to buy your book?
Independent book stores in the Midwest, Amazon, B&N, Borders

Tell us some specific details about your setting. What would
we see? What sort of people are there? If we were traveling
to your setting, what should we bring with us? For visitors,
what do they need to know to visit your setting?

What you will find is two cities, quite different but side by
side with a big river running through the center, a river that
connects Minnesota with the major ports of the world through
New Orleans
. It is a commercial and recreational center with
interesting scenery, commerce, some of the finest medical
facilities in the nation; we have an outstanding theatre and
music community as well.

What should you bring? Ah, bring warm clothes! Winter weather
can be both nasty and exhilarating. Oh and in the summer,
bring sun screen. Lots of it. The Twin Cities are places of
extremes, both in weather and occasionally, behavior!


Carl Brookins
www.carlbrookins.com
Old Silver, The Case of the Greedy Lawyers
Bloody Halls

Thursday, December 6, 2007

Whale Song by Cheryl Kaye Tardif


Why did you pick the setting you used in your story?
When the plot for Whale Song hit me in early 2001, I knew it featured killer whales, and so Canada's west coast was the most obvious setting. The setting for Whale Song came naturally to me since I had spent many years living on islands or near the ocean. I grew up on the Queen Charlotte Islands, north of Vancouver Island in BC, Canada. The Charlottes are rich with native folklore and culture, and wilderness filled with plants, trees and animals. It is an isolated region of Canada, cut off from the rest of the country and not easy to get to. But I didn't want the story set there. I needed an area that had a marine station and was surprised to stumble across one in my research. It was at Bamfield on Vancouver Island. And, viola! My setting presented itself to me.

What does the setting add to the story?
Having Whale Song set on Vancouver Island allowed me to showcase a beautiful part of Canada to the world, and a remote town that few know about. I needed the isolation for the story to work. The actual setting keeps the story real and gives the reader a sense of wonder and hardship. Bamfield is a small town nestled near the water at the northwest end of Vancouver Island. It is actually divided in half by an inlet. Bamfield was the original home of the Huu-Ay-Aht First Nations. The First Nations people (referred to as 'Indians' in the late 70's) reside in the general area, contributing cultural events, art, music and stories. The wildlife is abundant--birds, deer and more. Fishing is an important industry. The marine station there is popular as a field trip event for high school student in Western Canada. All of these aspects add to the unique 'flavor' of Whale Song.

Could you write the same story in a different setting?
I did have one fan ask me why I didn't set the story in Emdonton, Alberta, where I live now. Ok, well, this is prairie country...no oceans...no killer whales. West Edmonton Mall just won't cut it! :)

Is there anything else about your setting that we need to know?
Although I use the actual town of Bamfield, plus Victoria and Vancouver, BC, as settings, some of my description is fictional. For my story to work, I needed certain things, and it's amazing what the mind can create. This setting was perfect for Whale Song. Many people have emailed me, telling me how they could picture everything so clearly, from Sarah's new home, to the bay to the town. Some of them had never been to that part of Canada, but they want to now. :)

~Cheryl Kaye Tardif,
author of the bestselling novel Whale Song
(a bestseller in Canada and the US)

Wednesday, December 5, 2007

Blog Tours - What Would You Like to Know

I'm doing a tele-seminar next week about blog tours and I would love input from you all.

There are many things to discuss about blog tours and I worked out some initial questions to get people thinking - they are:

Discover Ways to Promote Your Book on a Virtual Blog Tour to Gain Greater Visibility and Sales

  • What are the benefits of doing a blog tour?
  • Should you promote your book in a blog tour?
  • Should fiction and non fiction books be promoted differently in a blog tour?
  • Should you organize your own blog tour?
  • Why hire a publicist to organize your tour?
  • If you hire a publicist, will you still need to work on the tour?
  • Can you use a blog tour to promote anything besides books?
  • Is there a new option in book blog tours?

But, now I need to create a couple of handouts and I'd love your input. Is there any specific info about blog tours that any of you think would be most helpful? Some folks here have done tours, some have hosted touring authors and I bet some of you have thought about doing a tour. So, since many of the people here are authors, I figured it would be a great place to pose the question. What information would you suggest I offer in handouts? Thank you all for your thoughts. There will be plenty of blog tour info coming very soon .

Nikki Leigh

PS - The answer to the last question is - most definitely. Stay tuned for much more information about that option - SOON. Or, contact me to be added to the mailing list - nikki_leigh22939@yahoo.com with Mailing List in the subject line.

Sunday, December 2, 2007

Willing Sacrifice by Gloria Oliver


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us...
Hm, since I built it from scratch, I would say it was because it was what the novel called for.

Why you chose that particular setting? I love fantasy and so I tend to err on the side of the fantastic.

What does the setting add to the story? It is a different world than our own, a different time. It gives me a chance to build a different kind of society for the reader to learn about and explore.

Could you write the same story in a different setting? Yes. I probably could. Might be fun to do so in a Science Fiction setting. Heh.

Why or why couldn't you use a different setting? Though a few of the technical issues, like the demons and gods might need to be called something else, since they are basically from other dimensions, the fact that a gate would open at certain times would still be a viable option whether I set the story in modern day or even a science fiction future. A lot of the lessons and ideas are about people and therefore could be applied to any venue.

Did you use a real place as a basis for your setting? No.

Or, did you create the setting from scratch? It all came from the depths of my noggin, bits taken from all the different places and things I've learned over a lifetime.

Is there anything else about your setting that we need to know? Feel free to share. While the setting will feel somewhat medieval, the fact that the culture has been shaped by the existence of the Four Gods and the Time of Trial, it allowed for the creation of the subculture of people needing to spread the word about the Bearer and the Eye. Because the Trial's cycle is so far apart, this subculture becomes an intrinsic part of the world's survival. Yet over time they themselves fall into the same problems that most long spanning organizations have and have had periods of being known, and others, as in the current cycle, of spreading the word by more subtle means. That probably made no sense whatsoever, did it? lol!

Please provide your website link. www.gloriaoliver.com/willing.html

What is the link to buy your book? http://www.amazon.com/gp/product/1934135275%3ftag=cmk1999%26link_code=xm2%26camp=2025%26dev-t=D216JD0ZGSFGW8

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting? Most of the story takes place in the mansion, city, and rural areas of a viscount's domain. The people you would meet both in the city and out in the villages are currently under a bit of a strain as The Herald, a large comet, has appeared as foretold, heralding the coming of the Time of Trial. They are under a lot of pressure, knowing that this event they have no control over will decide the fate of the world and their future lives. So they pray and put out talismans and items to the Four Gods for protection, even as some panic, others decide to gouge prices, and some get desperate.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it? Willing Sacrifice http://www.amazon.com/gp/product/1934135275%3ftag=cmk1999%26link_code=xm2%26camp=2025%26dev-t=D216JD0ZGSFGW8

Gloria Oliver
www.gloriaoliver.com
Unveiling the Fantastic

Sunday, November 25, 2007

Immigrants Daughter by Mary Terzian

Cairo, Egypt, where I grew up, is the setting of my book, The Immigrants' Daughter. It is a very hospitable country and it opened its doors wide to the Armenians escaping from the massacres in Turkey in the early 1920's.

Cairo was a cosmopolitan city in the mid thirties through the 1960's when I left. Most salesclerks in department stores like Cicurel, Orosdi-Back, Chemla, Gattegno, Yacoubian, spoke French. The business language was English. Arabic was used with vendors. There was large community of Greeks, Italians, Maltese, English, French, Germans and a sprinkling of Swiss and other Europeans. Television arrived in Cairo in the early 1960's.

The sunsets along the river Nile are memorable, the sun sinking through the palm leaves. The Nile was a quiet river than, an occasional barge or boat sliding with languor along its shores. During World War II Egypt was a protectorate under Great Britian but was secretly aspiring for independence which it achieved eventually.

Mary Terzian

www.maryterzian.com
Author, The Immigrants' Daughter
Winner, Best Books 2006 Award
Finalist, National Indie Excellence 2007 Book Awards
multicultural, non-fiction category




Saturday, November 24, 2007

Silk Palace by Colin Harvey


Why you chose that particular setting?

I wanted a world that wasn’t this one, nor in any way linked to ours, because the logic of having the Gods walking among us does not relate in any way to our world or our history.

As a part of that world, Whiterock is in a central position as the tipping point between two much larger Empires; it’s literally a fulcrum for the world, as one of the characters observes.

What does the setting add to the story?

At times the Silk Palace is almost a character in its own right – it’s a lurking, brooding presence where strange things skitter and lurk in the corners.

Could you write the same story in a different setting?

I don’t think so, unless I had another place with such strong characteristics.

Why or why couldn't you use a different setting?

For all the reasons given above!

Did you use a real place as a basis for your setting? Or, did you create the setting from scratch?

No – it’s a composite of many places and my imagination.

Is there anything else about your setting that we need to know? Feel free to share.

These are my original notes:

The Silk Palace is built on a huge white rock, which gives the Kingdom of White Rock it's name. The town of the same name is a wooden walled one, that's spread around the rock. The Kingdom extends 10 miles North and 40 miles South, by 15 miles East and 25 miles West. So the Kingdom is 50 miles long by 40 wide.

The Kingdom is situated in the only sizeable gap in the Spine Range, which bisects the Continent of Tarknang. The continent is at this point (it's narrowest) six hundred miles from North-South. To the North of the 200 miles of Spine are scattered islands in a sub-arctic sea, which with no warm current, freezes over badly outside of Summer.

North of White Rock, are the marshes of Llamarghesa, perhaps 35 miles long by 50 wide. Flamingoes, bulls, pelicans, all inhabit the marshes. So do other, more sinister creatures. Northwards again, the Spine rises steeply, perhaps on a 1 in 5 gradient, so by 10 miles northwards, the mountains are up to 10000 feet high. Southwards, they rise at perhaps 1 in 6, so that by 15 miles south of White Rock, they're 13,000 feet high. So there are mountains perhaps 55 miles in each direction, clearly visible on a very clear day.

Please provide your website link.

http://www.geocities.com/colin_harvey/TheSilkPalace.html

What is the link to buy your book?

In the USA ; http://www.amazon.com/Silk-Palace-Colin-Harvey/dp/1934041424/ref=sr_1_1/103-3811783-1271041?ie=UTF8&s=books&qid=1193587154&sr=1-1

In the UK ; http://www.amazon.co.uk/Silk-Palace-Colin-Harvey/dp/1934041424/ref=sr_1_1/203-2993755-7182356?ie=UTF8&s=books&qid=1193586998&sr=8-1

Or electronically: http://www.fictionwise.com/eBooks/eBook51966.htm?cached

Tell us some specific details about your setting. What would we see?
A flat grassy plain from which a vast white monolithic rock like a giant albino Ayers Rock rises sheer to the point where you have to crane your neck. On top of this, if you took a balloon ride up there, you would see a citadel miles in diameter spreading across the surface.

What sort of people are there?

All sorts! There are chisellers, hucksters, nobility – like all trade routes, blacks and whites and others mix together.

If we were traveling to your setting, what should we bring with us?
Some money to pay the inevitable tax that they’ll charge you for traveling through their land. A small dagger for guarding against pick-pockets.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

The Silk Palace – it’s out from Swimming Kangaroo Books, and you can buy it from amazon or fictionwise, or you can drop me a line via MySpace if you want a signed copy!

Thanks for reading this, if you have, and to Nikki for allowing me the opportunity.

Novels from Swimming Kangaroo Books:
Lightning Days -- SF, Finalist for the USA Book News Awards
The Silk Palace -- "compelling" Library Journal
"Intrigues, betrayals, murders, love affairs, transformations, and
revelations," Bruce Boston, author of The Guardener's Tale

www.geocities.com/colin_harvey www.myspace.com/colin_harvey

Saturday, November 17, 2007

Late Night Sessions




Why you chose that particular setting?

I wanted to write about music, musicians and most especially folk. It made sense to use the West midlands folk scene as my setting because I know it fairly well. All of the festivals mentioned in the story either exist, or have done in the past. I made up some of the sessions because those tend to come and go anyway, but otherwise it’s a fairly accurate portrayal.

What does the setting add to the story? The folk scene is a colourful place full of interesting characters and unusual goings on. It’s rather like a large village that has been dispersed across the country, but which reforms whenever it can. Friendships in this community tend to last. Clubs, festivals and sessions create friendly environments in which like minded people can get together, making it the perfect place for a young folk enthusiast to find love.

Could you write the same story in a different setting?

No. The frequency of festivals across the summer (at least one a month in easy driving distance from Birmingham) is essential to the story, and I’m not sure where else I could realistically place such a thing. Given how small a world the folk environment is, it allows people to run into each other without stretching credibility at all.

Why or why couldn't you use a different setting?

The folk world isn’t just about the music – it’s a culture and a community. People tend to look out for each other. As a young single woman, you can wander round a festival alone late at night and feel perfectly safe. If other music genres function in the same way, I’m not aware of it so couldn’t write it anyway.

Did you use a real place as a basis for your setting?

Yes, for the greater part. All of the festivals mentioned in the story are real, or used to exist. The parts of the story set around Malvern also use real places, as are most of the scenes set around Birmingham. The houses are all inventions, as are some of the sessions, but everything else has some real basis. The ford at Coughton, the Feckenham Woodland burial site, Hobgoblin Music store, and others are all real.

Tell us some specific details about your setting. What would we see?

At a typical festival you would see fields full of canvas, with numerous tents and caravans surrounding several big marquees. The ground is muddy and most people wear boots or wellies, because the great British summer can seldom be trusted. There are strains of music in the distance, smells of cooking food and beer. All around, people are conversing in small groups, waving to friends and enjoying themselves. Soon the concerts start, and the chairs in the marquees will with an eager audience. Some time after midnight, the sessions begin, when the real devotees stay up to share songs and music, often singing in the dawn, staggering arm in arm back to tents and sleeping bags.

What sort of people are there?

Everyone from babes in arms to the elderly, although the majority are middle aged, middle class and a touch bohemian. Expect long hair and beards, flowing skirts, tankards worn on belts and an enthusiasm for real ale. Folk people are passionate about their music, story telling and dance, and are generally a laid back, good humoured crowd out to have a good time regardless of the weather.

If we were travelling to your setting, what should we bring with us?

A tent, sleeping bag and other camping kit is advisable. If you play a musical instrument, bring it (if it’s portable) otherwise, be ready to sing. Beer money is essential, and a warm jacket for when things turn cold late at night will serve you well. Come with an open mind – folk is not all hanky waving morris men and beardy guys with their fingers in their ears. It can be young and sexy too. Or old and sexy for that matter.

For visitors, what do they need to know to visit your setting?

If you are polite, responsible and follow the perfectly reasonable instructions you may get from the stewards, then you will have a good time. It’s always colder than you expect it to be, and there is usually mud so come prepared!

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

Late Night Sessions

http://www.amazon.co.uk/Late-Night-Sessions/dp/1934446076/ref=sr_1_1/202-6559455-6676664?ie=UTF8&s=books&qid=1191227563&sr=1-1

http://www.amazon.com/Late-Night-Sessions-Bryn-Colvin/dp/1934446076/ref=tag_dpp_lp_edpp_ttl_in/105-8048599-4428442?ie=UTF8&qid=1191227046&sr=8-8

Judgment Fire by Marilyn Meredith



Why you chose that particular setting?

The setting for Judgment Fire and most of Deputy Tempe Crabtree series is a mountain community in the Southern Sierra (CA) called Bear Creek. It is very much like the town I live in except I moved it up into the mountains a thousand feet for better trees.

The Giant Sequoias are in the higher elevations, a river runs through the area and it's called Bear Creek, there is a lake several miles below the town, and an Indian Reservation nearby. (All these things are true for where I live too except for the names of places and things.)


What does the setting add to the story?

I like writing about a small town, a small town surrounded by mountains and wilderness areas. Because of the Indian reservation, people from the reservation often play important roles in the stories. There is a lot of draw on from the setting.

Could you write the same story in a different setting? No, then it wouldn't be the same story.

Why or why couldn't you use a different setting?The setting plays a very important part in every one of my stories, often as important as the characters.

Did you use a real place as a basis for your setting? Yes, as I said earlier, it is where I live. I grew up in Los Angeles and the dynamics of a small town are fascinating to me.

Or, did you create the setting from scratch? No, but I've certainly taken a lot of liberties with the setting.

Is there anything else about your setting that we need to know? Feel free to share. In each book, I focus on a different area of where I live--might be the reservation, or the lake, or higher in the mountains. In the book coming next year, Kindred Spirits, Tempe will spend time in Crescent City and Santa Barbara CA.

Please provide your website link.

http://fictionforyou.com

What is the link to buy your book?
http://www.mundania.com

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

Our town is the gateway to the Sequoias. It is a place where many visitors pass through on their way to the high country. The real town has a rodeo every year, an Apple Festival (30,000 people come to this two day event), a Jackass Mail Run, Music in the Park on Friday nights during the summer. We have no bank, only an ATM, an Inn (which is often featured in my books), four other cafes (though this changes), a dress shop, two gas stations with grocery stores, a newspaper office which doubles as a visitors', two second hand stores,
and a post office. The river has several nice swimming holes including a great one right behind my house.

We have wild animals: deer, bobcats, mountain lions, raccoons, possums and an occasional bear.

Lots of folks live in the mountains in houses and cabins. There are many ranches and orange groves--and people are moving up from the cities and building big houses.

If you're coming in the winter time, bring clothes suitable for snow, if you're coming in the summer bring your swim wear, sun screen and bug repellant.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

Judgment Fire can be ordered through any bookstore, but easiest to purchase from the publisher:
http://www.mundania.com

See what's new at: http://fictionforyou.com
http://www.policewriter.com
NEW BLOG at http://marilynmeredith.blogspot.com/

Sunday, November 4, 2007

A Prescription for Love - Leeanne Marie Stephenson


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us

Why you chose that particular setting?
I chose Michigan and the community I worked in as a Registered Nurse. I take the reader on a journey back into the 1970's at Blodgett Hospital where I began my own career as a nurse. All the places in Michigan that I write about, I have visited, so I have a first hand knowledge of their beauty and significance!

What does the setting add to the story?
Since my story is a medical romance, it depicts the heart of the medical community in Michigan. it also takes the reader into a world of wealth and prestige in the varios wealthy areas of Michigan.

Could you write the same story in a different setting?
I could write the story in another hospital setting.

Why or why couldn't you use a different setting?
A different setting would be difficult, because the personlity of the setting wouldn't come through since I never experienced the setting myself. In particular, Michigan's Mackinac Island is such a glamorous romantic setting, it couldn't possibly be repaced in my story!

Did you use a real place as a basis for your setting?
Every place I wrote about existed back in the 1970's, and I have been to all these places.

Or, did you create the setting from scratch?
Is there anything else about your setting that we need to know? Feel free to share.
This romantic journey highlights Grand Rapids, East Grand Rapids and the beautiful historical Mackinac Island of Michigan. The details of the setting make you feel as though you are right there with the characters. You willparticularly fall in love with the romantic Mackinac Isalnd! It's a love story in a setting you don't want to miss!

Please provide your website link.
http://www.lmstephenson.com

What is the link to buy your book?
http://www.amazon.com/Prescription-Love-Leeanne-Marie-Stephenson/dp/1424165075/sr=8-12/qid=1172424584/ref=sr_1_12/104-7067955-3361511?ie=UTF8&s=books

A PRESCRIPTION FOR LOVE
BY
LEEANNE MARIE STEPHENSON

Sunday, October 21, 2007

One Smooth Stone by Marcia Lee Laycock


Why did you pick the setting you used in your story?
The first part of One Smooth Stone is set in the Yukon Territory, Canada. I chose it because I wanted to tell a story about a young man who is trying to hide. I lived in the Yukon for many years and many of the people I met there fit that profile in one way or another.

What does the setting add to the story?
I think it adds a dimension of intrigue and mystery, especially when the protagonist returns to the north and goes deeper into the wilderness, still trying to hide.

Could you write the same story in a different setting? I don't think it would work in a different setting. The dynamics of what happens are integral to the setting. There is an episode with a Grizzly, for instance. The story could have been set in Alaska, but I think it would have a different 'feel.'

Did you use a real place as a basis for your setting? Yes. Dawson City is a real place, the Yukon River is described as it really is, and the cabin and mining camp are taken from real places, though not specific.

Is there anything else about your setting that we need to know? Feel free to share.
The second part of the book is set in Seattle WA. I chose it because I wanted a coastal, misty/moody kind of place. - the west coast in winter.

Please provide your website link.
www.vinemarc.com

What is the link to buy your book?
www.castlequaybooks.com

Tell us some specific details about your setting.
What would we see?
A lot of bush, rock and water. Harsh white landscapes in winter, often a dense ice fog that shrouds everything - the kind of fog you can get lost in.

What sort of people are there?
Rugged individualists who want to live life on their own terms.

If we were traveling to your setting, what should we bring with us?
For winter - down clothing, very warm boots and mitts.
For summer - insect repellent. Lots of it.

For visitors, what do they need to know to visit your setting?
If you're driving bring lots of spare tires.

Thank you for sharing details about your book setting.
My pleasure. Thanks for the opportunity.

Now, what's the title of your book and where can we buy it?
One Smooth Stone. It can be ordered through any bookstore - just tell them it's distributed by Augsburg Fortress Books - or order online from Castle Quay Books (link is above) or from Amazon, eventually - the book was just released so it will take a while for it to be posted there.

Marcia Lee Laycock
Author of One Smooth Stone
No matter how far you run, God will find you; no matter what you have done, God will forgive you.
www.vinemarc.com
www.marcialaycock.blogspot.com

Monday, October 15, 2007

The Dowry Bride by Shobhan Bantwal


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us...

I wanted the setting to suit the rather conservative facet of India's culture that I was trying to portray in the book.

Why you chose that particular setting?

My story needed to be set in a small and tightly-knit town. A big, bustling city would be too modern and wide open for the kind of story I had in mind.

What does the setting add to the story?

It adds to the intrigue and fear factor, especially in the opening scene, when my traumatized heroine is running through dark and deserted streets to save herself from death by fire. An urban setting would not quite adapt itself to that.

Could you write the same story in a different setting?

I honestly doubt it, because I more or less had the setting in mind well before I started writing the story.

Why or why couldn't you use a different setting?

I have a beautiful river in my setting, narrow, semi-rural streets, and a conservative bunch of residents. Another setting wouldn't have all those elements.

Did you use a real place as a basis for your setting?

Yes I did, more or less. When I pictured the setting, I clearly saw the small town I grew up in, including the streets, the flora and fauna, the smells and colors.

Or, did you create the setting from scratch?
No, I didn't.

Is there anything else about your setting that we need to know? Feel free to share.

I gave the town in my book a fictitious name: Palgaum, which rhymes with the name of my hometown, Belgaum. It's not all that hard to figure out the connection.

Please provide your website link.
http://www.shobhanbantwal.com

What is the link to buy your book?
http://tinyurl.com/24dlec

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

Since my setting is entirely fictitious, there would be nothing to see. Everything the readers see is through my eyes and by reading my book.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

My book's title is THE DOWRY BRIDE and it's available at all major bookstores and on line through all national on line stores. The Amazon link is http://tinyurl.com/24dlec

Thank you for inviting me to talk about my story and setting. I've enjoyed this immensely since I love talking about my story.

Sunday, October 14, 2007

The Last Free Men - by Jack Everett & David Coles


The Last Free Men - by Jack Everett & David Coles.

Why you chose that particular setting?

Hadrian's Wall was built to divide Scotland from England in the 2nd Century CE. We spent a long spring time week-end trekking along the Wall and exploring the remains of the Roman fortresses.

One evening, just as the sun was touching the hills beyond the little river of Poltross Burn, we found a place where Hadrian's Wall used to cross the water. The crossing is called Willowford and of course, the ancient bridgeworks have long since tumbled into the water.

At that time of the day, though, it was possible to look back into history, we could see the Roman legionaries trudging along the Wall, we could hear the native tribesmen planning their raid.

We already knew about the layers of ash that signified fires in the nearby mile castles and the turrets. As the sun was setting, it was easy to see the tribesman slide into the cold water and let themselves drift through the sluiceways, to seek cover, to... well, the story almost told itself.

There was one more thing that compelled this story. We came across this quote from the histories of Tacitus, it's from the pre-battle address to his warriors by Calgacus at Mons Graupius:-

“We, the last men on earth, the last of the free, have been shielded till today by the very remoteness and the seclusion for which we are famed... But today the boundary of Britain is exposed; beyond us lies no nation, nothing but waves and rocks and the Romans.”

What does the setting add to the story?

Mood! Where else are you going to find 2000 year old forts, a wall stretching over 80 miles, from one sea to another? Country so rugged that it's almost too hard to wring a living out of it?

This was under the heel of the Roman Army; arguably, the most successful military machine in history - think of the plight of the American Native tribes under the British and spread that across the known world of two centuries ago. Britain supplied wheat, silver, gold, lead, hunting dogs, slaves and conscripts - rich pickings.

And trouble. Boudicca almost routed the Roman Army and caused them to think twice about staying - these barbarians were dangerous. The Druids, according to the Occupiers, practiced religious rites that even the Romans called abominations. Hadrian built his Wall to keep out the savages beyond

Could you write the same story in a different setting?

It wouldn't then be the same story

Why or why couldn't you use a different setting?

We use a lot of real places, real people and events from history that don't appear together in other settings.

Did you use a real place as a basis for your setting?

Hadrian's Wall in general, Housesteads Fort in particular, are real places. You can go there and soak up the ambience, what went into the book can be seen in your mind's eye. Our first glimpse of the book happened at sunset where a small river runs through the remains of the Wall, it was all there.

Or, did you create the setting from scratch?

The later stages of the book take place in an off-the-map location, a place that is a fusion of several others. We needed something tailored to our requirements and then we buried it under a falling mountain.

Is there anything else about your setting that we need to know? Feel free to share.

Hadrian's Wall was conceived as a military installation, major forts are built every few miles, fortlets are built every mile, guard turrets every hundred yards. Before its final completion, it became a customs post, with gateways at convenient points, villages with hotels grew up near most of the forts. Trade went on, smuggling, the odd raid; occasionally, major forays into the barbaric lands north of the Wall were mounted - punitive, mostly.

The later setting, a large plain scoured out of a rocky valley by an ancient water flow was built especially for the story. Perhaps the ancient Gods of Britain had a hand in that; Marcus Uffin Gettorix, hero, was never really sure.

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were travelling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

Britain in AD128 was a beautiful and a wild place. It was a place of wretchedness where Death was a casual visitor and Disease an ever-present one. It was a place of civilised living with more and more of the native chiefs buying into the Roman dream of comfortable villas and baths and mosaics and wine instead of ale.

Roman military might was everywhere, guards, marching columns, barracks, highways. Roman Gods had come with the occupiers so there were shrines and temples to Jupiter and Mithras and so on, but they were quite tolerant of the local hierarchy and there would be both British and Roman shrines to Coccidius and others, even to local geneii. Smells: the smell of horse dung, wood smoke, sweat, human faeces.

Native dress consisted of linen gowns for women, bleached, dyed and embroidered, while men wore checked woollen trousers, long shirts. Both sexes wore woollen cloaks and boots, both wore jewellery: torcs, armbands, brooches made from silver, bronze, sometimes gold. Much of the jewellery was very fine, traded from the continent as well as made at home. The men carried weapons, steel swords longer than the Roman weapons and often forged with beautiful patterns - the equivalent worth of a modern small car.

The Roman men were mostly military and would wear military gear; the less macho would wear woollen trousers in the harsh British winter. A certain proportion would be traders, clothed in similar fashion to the native Britons.

Travelling far usually meant horseback or horse and cart. Romans or Romanophiles would stay at hotels along the way. Such hotels were government run in a similar way to modern establishments. Money was in the form of coin, issued by major British chieftains or Roman, minted in Rome and sent in strongboxes to pay the army.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

The Last Free Men - by Jack Everett & David Coles

Please provide your website link.

http://www.davidBColes.co.uk http://www.JackLEverett.me.uk

What is the link to buy your book?

http://www.virtualtales.com/StoryProducts~tn~Last+Free+Men.html
The Last Free Men - by Jack Everett & David Coles.

Why you chose that particular setting?

Hadrian's Wall was built to divide Scotland from England in the 2nd Century CE. We spent a long spring time week-end trekking along the Wall and exploring the remains of the Roman fortresses.

One evening, just as the sun was touching the hills beyond the little river of Poltross Burn, we found a place where Hadrian's Wall used to cross the water. The crossing is called Willowford and of course, the ancient bridgeworks have long since tumbled into the water.

At that time of the day, though, it was possible to look back into history, we could see the Roman legionaries trudging along the Wall, we could hear the native tribesmen planning their raid.

We already knew about the layers of ash that signified fires in the nearby mile castles and the turrets. As the sun was setting, it was easy to see the tribesman slide into the cold water and let themselves drift through the sluiceways, to seek cover, to... well, the story almost told itself.

There was one more thing that compelled this story. We came across this quote from the histories of Tacitus, it's from the pre-battle address to his warriors by Calgacus at Mons Graupius:-

“We, the last men on earth, the last of the free, have been shielded till today by the very remoteness and the seclusion for which we are famed... But today the boundary of Britain is exposed; beyond us lies no nation, nothing but waves and rocks and the Romans.”

What does the setting add to the story?

Mood! Where else are you going to find 2000 year old forts, a wall stretching over 80 miles, from one sea to another? Country so rugged that it's almost too hard to wring a living out of it?

This was under the heel of the Roman Army; arguably, the most successful military machine in history - think of the plight of the American Native tribes under the British and spread that across the known world of two centuries ago. Britain supplied wheat, silver, gold, lead, hunting dogs, slaves and conscripts - rich pickings.

And trouble. Boudicca almost routed the Roman Army and caused them to think twice about staying - these barbarians were dangerous. The Druids, according to the Occupiers, practiced religious rites that even the Romans called abominations. Hadrian built his Wall to keep out the savages beyond

Could you write the same story in a different setting?

It wouldn't then be the same story

Why or why couldn't you use a different setting?

We use a lot of real places, real people and events from history that don't appear together in other settings.

Did you use a real place as a basis for your setting?

Hadrian's Wall in general, Housesteads Fort in particular, are real places. You can go there and soak up the ambience, what went into the book can be seen in your mind's eye. Our first glimpse of the book happened at sunset where a small river runs through the remains of the Wall, it was all there.

Or, did you create the setting from scratch?

The later stages of the book take place in an off-the-map location, a place that is a fusion of several others. We needed something tailored to our requirements and then we buried it under a falling mountain.

Is there anything else about your setting that we need to know? Feel free to share.

Hadrian's Wall was conceived as a military installation, major forts are built every few miles, fortlets are built every mile, guard turrets every hundred yards. Before its final completion, it became a customs post, with gateways at convenient points, villages with hotels grew up near most of the forts. Trade went on, smuggling, the odd raid; occasionally, major forays into the barbaric lands north of the Wall were mounted - punitive, mostly.

The later setting, a large plain scoured out of a rocky valley by an ancient water flow was built especially for the story. Perhaps the ancient Gods of Britain had a hand in that; Marcus Uffin Gettorix, hero, was never really sure.

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were travelling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

Britain in AD128 was a beautiful and a wild place. It was a place of wretchedness where Death was a casual visitor and Disease an ever-present one. It was a place of civilised living with more and more of the native chiefs buying into the Roman dream of comfortable villas and baths and mosaics and wine instead of ale.

Roman military might was everywhere, guards, marching columns, barracks, highways. Roman Gods had come with the occupiers so there were shrines and temples to Jupiter and Mithras and so on, but they were quite tolerant of the local hierarchy and there would be both British and Roman shrines to Coccidius and others, even to local geneii. Smells: the smell of horse dung, wood smoke, sweat, human faeces.

Native dress consisted of linen gowns for women, bleached, dyed and embroidered, while men wore checked woollen trousers, long shirts. Both sexes wore woollen cloaks and boots, both wore jewellery: torcs, armbands, brooches made from silver, bronze, sometimes gold. Much of the jewellery was very fine, traded from the continent as well as made at home. The men carried weapons, steel swords longer than the Roman weapons and often forged with beautiful patterns - the equivalent worth of a modern small car.

The Roman men were mostly military and would wear military gear; the less macho would wear woollen trousers in the harsh British winter. A certain proportion would be traders, clothed in similar fashion to the native Britons.

Travelling far usually meant horseback or horse and cart. Romans or Romanophiles would stay at hotels along the way. Such hotels were government run in a similar way to modern establishments. Money was in the form of coin, issued by major British chieftains or Roman, minted in Rome and sent in strongboxes to pay the army.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

The Last Free Men - by Jack Everett & David Coles

Please provide your website link.

http://www.davidBColes.co.uk
http://www.JackLEverett.me.uk

What is the link to buy your book?

http://www.virtualtales.com/StoryProducts~tn~Last+Free+Men.html

Tuesday, October 2, 2007

A Prescription for Love - Leeanne Marie Stephenson


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us

Why you chose that particular setting?
I chose Michigan and the community I worked in as a Registered Nurse. I take the reader on a journey back into the 1970's at Blodgett Hospital where I began my own career as a nurse. All the places in Michigan that I write about, I have visited, so I have a first hand knowledge of their beauty and significance!



What does the setting add to the story?
Since my story is a medical romance, it depicts the heart of the medical community in Michigan. it also takes the reader into a world of wealth and prestige in the varios wealthy areas of Michigan.

Could you write the same story in a different setting?
I could write the story in another hospital setting.

Why or why couldn't you use a different setting?
A different setting would be difficult, because the personlity of the setting wouldn't come through since I never experienced the setting myself. In particular, Michigan's Mackinac Island is such a glamorous romantic setting, it couldn't possibly be repaced in my story!

Did you use a real place as a basis for your setting?
Every place I wrote about existed back in the 1970's, and I have been to all these places.

Or, did you create the setting from scratch?

Is there anything else about your setting that we need to know? Feel free to share.
This romantic journey highlights Grand Rapids, East Grand Rapids and the beautiful historical Mackinac Island of Michigan. The details of the setting make you feel as though you are right there with the characters. You willparticularly fall in love with the romantic Mackinac Isalnd! It's a love story in a setting you don't want to miss!

Please provide your website link.
http://www.lmstephenson.com

What is the link to buy your book?
http://www.amazon.com/Prescription-Love-Leeanne-Marie-Stephenson/dp/1424165075/sr=8-12/qid=1172424584/ref=sr_1_12/104-7067955-3361511?ie=UTF8&s=books
A PRESCRIPTION FOR LOVE
BY
LEEANNE MARIE STEPHENSON

Leeanne Marie Stephenson
Author of "A PRESCRIPTION FOR LOVE"
(Publish America ISBN# 1424165075)
www.lmstephenson.com

Tuesday, September 18, 2007

Finding Funboy by Matt Golec


“Finding Funboy” by Matt Golec

Why did you pick the setting you used in your story?

I set most of my novel, “Finding Funboy,” in Portland, Maine, the town where I grew up. I’ve lived other places since -- places I’ve enjoyed more, places I’ve been more excited about showing visitors -- but like friends you have from childhood, the place where you grow up has an emotional hold on you that runs pretty deep. I hoped that emotional connection I have with Portland would translate into a rich setting for “Finding Funboy.”



What does the setting add to the story?

Portland is a small city where the main character -- a young man not quite out of college -- has lived all of his life. As he comes of age, the main character
realizes that if he really wants to move into adulthood, he may have to leave the familiar setting of Portland behind, at least for a while.



Could you write the same story in a different setting?

Not with the same depth or command of details.



Why or why couldn't you use a different setting?

An important theme in “Finding Funboy” is growing up, and the setting allowed me to contrast the changes happening in the main character with the comfortable but relatively static place he’s always known.



Did you use a real place as a basis for your setting? Or, did you create the setting from scratch?

Portland is a real place, but I did play a bit loose with some of the geography and place names to serve the narrative. Hopefully, long-time residents won’t be too upset with the slight liberties I took.



Is there anything else about your setting that we need to know? Feel free to share.

Although Portland has changed in the 20 years or so since I last lived there full-time, it’s still a place I enjoy coming back to. It was a sincere pleasure to
feel as if I was ‘living’ there again while writing “Finding Funboy.”



Please provide your website link.
www.mattgolec.com



What is the link to buy your book?
www.booksforabuck.com/mystery/mys_07/finding_funboy.html
or www.lulu.com/content/1041286



Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

Above all, visitors should bring their appetites. Portland is an old coastal city with cobblestone streets and red brick storefronts, and you can hardly swing a summer tourist without hitting a wonderful restaurant. Jackets are also nice to have along for those cool, foggy nights, and sunscreen and a towel will come in handy for plunking down at one of the Portland area’s many beaches.



Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

You can buy “Finding Funboy” at www.booksforabuck.com/mystery/mys_07/finding_funboy.html
or www.lulu.com/content/1041286

Tuesday, September 4, 2007

CJ Maxx - Coming Back a Virgin


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us...
Okay. I won’t give you “because I live there”. I’ll be more flippant, because it fit the story. Now, I’ll explain.

Why you chose that particular setting?
My hero doesn’t have a clue about romance or women. In his spare time he writes mainstream novels with pornographic sex scenes. I wanted his surroundings and his apartment to reflect someone with little intimate contact with actual females.

What does the setting add to the story?
It reinforces who he is. He sees his place as a cool bachelor pad. The state of disarray, the lack of food, the mismatched furniture, his collection of X-rated videos, the need of a thorough cleaning, and everything else points to the lack of females in his life and his cluelessness.

Could you write the same story in a different setting?
I suppose I could have made him a compulsive cleaner without a clue about women but it would have taken a lot out of the story. No, the setting’s critical to the story.

Why or why couldn't you use a different setting?
My whole point about the setting was to reinforce his weaknesses. Besides that, it gives my heroine something to bitch about, something to question why she’s there.

Did you use a real place as a basis for your setting?
No. The apartment is imaginary. I used the name of a restaurant in the Knoxville, Tennessee area but I never identify where he lives. I’ve used that restaurant in another story and I just like the name of it. I’ve never been there.

Or, did you create the setting from scratch?
Definitely from scratch, the apartment is never described until the heroine makes her walk-through inspection. Much to her disgust, I might add.

Is there anything else about your setting that we need to know? Feel free to share.
The transformation of the setting is essential to the story. It changes from a bachelor’s slovenly haven into something that a woman could enter without cringing. In fact, some actual romance takes places there.

Please provide your website link.www.cjmaxx.net

What is the link to buy your book?http://www.whiskeycreekpress.com/torrid/index.php?main_page=product_info&cPath=4&products_id=211

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?
This is probably not a good question for me since the story deals almost exclusively with two characters inside his apartment.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?
The title is Coming Back a Virgin and the publisher is Whiskey Creek Press-Torrid. It can be purchased from them. The link is in a previous question.

Tuesday, August 28, 2007

Fraterfamilias by Peter Ferrer


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us...

It all started with Paris. My cowriter, Judith, picked it because Paris is a lovely, ancient city and we've both been to it. As the initial situation played itself out, it became a matter of logic--where would you go if you were fleeing Paris after you'd committed murder? You have money and you can take a plane. Well, it's a straight shot over to New York and once you get clear of the airport, you can go pretty much anywhere on the continent. The story had to be set in New York.

What does the setting add to the story?
New York is a port city, cosmopolitan and multicultural, with a venerable history of crime. This gave us a chance to show the collisions between some very different characters.

Could you write the same story in a different setting?
We briefly considered setting it in Vancouver (Judith is from Vancouver), since so many stories are set in big American or European cities, already. But it didn't work out.

Why or why couldn't you use a different setting?
The opening scene really establishes the parameters for the setting such that it could not be any other city in the world. To set it elsewhere would be like setting "Casablanca" in Poughkeepsie. It wouldn't work. It just had to be New York.

Did you use a real place as a basis for your setting?
City-wise, yes. And we very carefully researched as much of the layout of the public places (like JFK and the Port Authority bus station and the public transit system) as we could for realism. That was hard because neither of us was anywhere near New York at the time that we wrote the book, though of course we've both been there. I'm sure there were some errors, since it's not easy to research things like public transport online in this day and age. People wonder why you're doing it!

Is there anything else about your setting that we need to know? Feel free to share.
We started writing the story before 9/11. Ultimately, we chose to set it before 9/11, as well. New York has changed since then and we wanted to deal with the fin de siecle atmosphere immediately before that, when many things were simmering but not exactly public knowledge. We also wanted to deal with the city's history of immigration, its cosmopolitan nature. We worried that by bringing 9/11 into it (as setting the story after 9/11 would inevitably do), everything else would fade and it would become a 9/11 thriller. There is more to New York than that.

Please provide your website link:
http://www.geocities.com/rpcv.geo/other.html

What is the link to buy your book?
http://www.virtualtales.com/StoryProducts~tn~Fraterfamilias.html

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?
New York has a huge number of very different people in a relatively small space, with many boroughs that have their specific, colorful histories. One thing you'd notice right away are the subway and the busses. We use both extensively in our book because our characters are too poor to use taxis and New Yorkers don't generally drive. It's a huge public transport system dating back to the 19th century. A visitor to New York would also need to know about JFK (since this, along with La Guardia) is the major airport for the city, and the Port Authority bus station. When it comes to city public transport, bring a map, money and patience. You can go all over the place and see things you might not notice if you drove a car. But it may take you a while to get there.

Thank you for sharing details about your book setting.
Thank you for having me!

Now, what's the title of your book and where can we buy it:
Fraterfamilias, under the pseudonym "Peter Ferrer". You can find it at Virtual Tales, Fictionwise and several other online venues.

Tuesday, August 21, 2007

Judi Moreo and Kim Baccelia - Virtual Tour Stops

Promotional Interview with Judi Moreo

This is the first author promotional interview that I've posted on my Self Promotion blog on the Inspired Author site. This is the first interview in a series that I'm doing with Kathleen Gage. She is posting some on her blog and I'll be posting all of the interviews on my site. To read about Judi Moreo's promotion - visit http://inspiredauthor.com/v3/promotional-interview-judi-moreo-0

~ and ~

Kim Baccellia - Young Adult Author - Earrings of Ixtumea

Join Nikki Leigh and Muze as they interview young adult author Kim Baccelia about her book - Earrings of Ixtumea. This is the opening question of the interview -

Nikki & Muze – I was reading the synopsis for your book and was intrigued by the inner struggle that your character faces. It’s also interesting that she is confronted by the same cultural problems in the fantasy world. Can you give us some information about how you came up with this idea and what sort of problems she deals with in the story?

Kim –As a bilingual teacher in the later ‘80’s and early ‘90’s, I saw a lot with my second language students. I taught in a LA county school district, close to East LA. I also was researching my own family history at this time. I was bothered how each year my students would draw themselves blond, blue-eyed, and fair skinned. Click here to learn more about Kim and Earrings of Iztumeahttp://muzesmusings.blogspot.com/

Nikki Leigh – Fiction Author – www.nikkileigh.com
Book Promo 101 – www.nikkileigh.com/book_promo_101.htm
“Coastal Suspense with a Touch of Romance”

Sunday, August 19, 2007

Tara's Honour by Bryn Colvin


Why you chose that particular setting?

I’d already written a couple of stories in this particular fantasy setting and as I had a few speculative ideas I wanted to play with, it seemed the obvious choice. I’d read a science article exploring the idea that caffeinated substances you imbibe may affect how you perceive reality. The other strand underpinning the story came from a role play game I ran about a decade ago. At one point one of the girls playing had her character return to her hometown to find she’d been accused of killing her father. Remembering the game, I thought it would make a good story. With those two plot elements in mind, I needed a fantasy setting and thought I might as well use the one I’d already developed – Estraguil, my magical forest.

What does the setting add to the story?

Firstly there’s the forested landscape, full of unfamiliar plants, animals and dangers. Then there’s the possibility of magic which works best in fantasy environments I think. Then there’s the laws. Estraguil is inspired heavily by the Forest of Dean, and I took a lot of ideas from Medieval Welsh culture to provide the details. One such aspect is the legal system where those accused of a crime are tried by their entire community. To be found innocent, a set number of people have to give their word that they believe you wouldn’t have committed the crime. The more serious the accusation, the more people have to speak for you. So while proving your innocence is effective, someone of good repute might get away with it because their community would believe they wouldn’t have done it. There’s also a different social structure, where polyamoury is perfectly normal, and people swear allegiance to each other in interesting ways – not a servant and master scenario, something more balanced.

Could you write the same story in a different setting?

Not exactly the same story, no. A Welsh Mediaeval setting would allow me to cover a lot of the same ground. Another fantasy setting would allow me the magical elements.

Why or why couldn't you use a different setting?

I’d lose the combination of effects in a different setting – the old Welsh laws, the polyamoury, the forest, the magic – its all part of the story and to lose any one element would reduce the whole significantly. I’d be back to the drawing boar for flora and fauna. Nothing else would work quite so well. Having been built up over a number of books, Estraguil is almost a character in its own right and the setting informs the other characters in a host of ways.

Did you use a real place as a basis for your setting?

Yes. My paternal grandparents lived in the Forest of Dean, in the UK, and it’s an area I know quite well. With hills, narrow valleys, the river Wye and a lot of forest, it’s a beautiful and quite an unusual place, and it gave me the starting point for creating Estraguil. Visiting Chepstow castle, I noticed one of the towers has stone figures around the top. Wondering about those figures set me off down the line of thought that led to the creation of Estraguil. The name is an old name for Chepstow, and I thought it sounded perfect.

Or, did you create the setting from scratch? Tell us some specific details about your setting. What would we see?

Estraguil is densely wooded, full of running water and wildlife. There are paths – most of them made by animals and going nowhere especially useful. The easiest way to travel is on the larger rivers, using a boat, but the giant otter-like creatures (emerys) may sink your boat if they try and play with you, the tidal mudflats are treacherous, and some of the trees on the riverbank aren’t trees at all, but stalking poldens – large wading birds who camouflage themselves amongst the trees as they hunt for prey. There are mountainous areas, and you may catch sight of the Maisrians with their crafted wings, soaring on the thermals. You might meet a wandering Strafian story teller, or a band of violent, shape-shifting Illyans. The forests are full of dangerous beast – giant, thick skinned and evil tempered gwibers that eat anything, krask hounds with their instinctive precognition, or the krask themselves, notoriously hard to kill and very fierce. The forest teems with life, much of which will try to eat careless travellers.
What sort of people are there?

There are twelve kith groups in Estraguil, and all have different cultures. There are three genders, although its not always immediately obvious which gender any person belongs to. Hair and eyes come in every imaginable colour, skin tends to be various shades of brown, but can also be any shade imaginable. Some individuals have feathers, scales, hooves, or even leaves partially covering them. These are perfectly natural variations. Extra fingers, forked tongues, and other animal characteristics help the denizens of Estraguil to survive in the forest.
If we were travelling to your setting, what should we bring with us?

For visitors, what do they need to know to visit your setting?

Bring only what you can carry on your back – there are no horses or other pack animals and travelling light is best. A knife, a blanket, a water bottle, perhaps a bow or a spear for hunting. Metal is highly valued, being scarce and largely confined to the mountains. If you don’t have hooves or the ability to fly, then a stout pair of boots will serve you well. Some of the kith groups are very territorial and aggressive, so good manners are essential, as is a willingness to fight if needs be. It’s safest to sleep in the trees, so a hammock will help. Mistrust anything you aren’t familiar with. Many of the plants and smaller creatures are dangerous to the unwary, especially the small lizards, which hunt in large packs.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

Tara's Honour
http://www.whiskeycreekpress.com/chapters/TarasHonour_BrynnethColvin.shtml

Wednesday, August 8, 2007

Gatekeeper's Realm by Elena Dorothy Bowman



Why did you pick the setting you used in your story?

I'm not looking for -- "because I live there". I want you to dig deep and tell us...It just seemed the natural setting for a mystery, paranormal series. The house up on the rocks overlooking the ocean caught my attention and the more I looked at it, the more it seemed to fit perfectly.

Why you chose that particular setting?

In all the years my family and I had been going to Good Harbor in Gloucester, we never saw anyone walk in or out of that house. I couldn't help but wonder why no one even went in there.

Was there something horrible that happened in that house? Was someone murdered? Why did it seem so forlorn, so lonely, so empty?What does the setting add to the story?

Actually, the house is the story, or a main part of it, because all the trials and tribulations the characters suffer happen inside the house or the area around it, down to and including the sea coast villages nearby.

Could you write the same story in a different setting?

Probably, but it wouldn’t have the same charm, eeriness, or trials, that the house and the surrounding mystery brings to it.

Why or why couldn't you use a different setting?

It simply wouldn't be the same story.

Did you use a real place as a basis for your setting?

Yes, actually, the house itself is real, although what I wrote about it, as far as I know, never happened. However, the towns and surrounding areas are a composite of many different places.Yes and no. The town involved is not actually real, but it is a composite of several towns, and of course, I have no idea if any town or area I portray in my novels, actually exist outside my imagination.Or, did you create the setting from scratch?Other than the actual house, yes, the rest of the setting is a figment of my imagination.Tell us some specific details about your setting.

What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

The house itself is, as some would say, enchanted. The owners, Abigail and Ethan, are decendants of the Founding Fathers, and Abigail's stay at the house is paramount to her becoming the owner. The visitors read a brochure assuring those who sought a new and different vacation that they would not be disappointed. It trumpeted a vacation hideaway that had no electricity, no running water, pumps only, no central heating system, no phones and no television. It also boasted of fabulously appointed rooms, fireplaces, breathtaking ocean views, swimming, underwater caves, sailing, and a touch of suspense and intrigue. But neither Abigail, Ethan, or the visitors were prepared for the apparitions that decided to invade the house. And if you were a guest at this setting, you would bring the normal things one would take on vacation plus a strong appreciation for the unexpected.Thank you for sharing details about your book setting.

Now, what's the title of your book and where can we buy it?

The title of the book is the Gatekeeper's Realm. It is the second book in the Legacy Series and can be purchased at: http://www.amazon.com/, http://www.booksurge.com/, http://www.cambridgebooks.us/, or your favorite book store.