Tuesday, October 2, 2007

A Prescription for Love - Leeanne Marie Stephenson


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us

Why you chose that particular setting?
I chose Michigan and the community I worked in as a Registered Nurse. I take the reader on a journey back into the 1970's at Blodgett Hospital where I began my own career as a nurse. All the places in Michigan that I write about, I have visited, so I have a first hand knowledge of their beauty and significance!



What does the setting add to the story?
Since my story is a medical romance, it depicts the heart of the medical community in Michigan. it also takes the reader into a world of wealth and prestige in the varios wealthy areas of Michigan.

Could you write the same story in a different setting?
I could write the story in another hospital setting.

Why or why couldn't you use a different setting?
A different setting would be difficult, because the personlity of the setting wouldn't come through since I never experienced the setting myself. In particular, Michigan's Mackinac Island is such a glamorous romantic setting, it couldn't possibly be repaced in my story!

Did you use a real place as a basis for your setting?
Every place I wrote about existed back in the 1970's, and I have been to all these places.

Or, did you create the setting from scratch?

Is there anything else about your setting that we need to know? Feel free to share.
This romantic journey highlights Grand Rapids, East Grand Rapids and the beautiful historical Mackinac Island of Michigan. The details of the setting make you feel as though you are right there with the characters. You willparticularly fall in love with the romantic Mackinac Isalnd! It's a love story in a setting you don't want to miss!

Please provide your website link.
http://www.lmstephenson.com

What is the link to buy your book?
http://www.amazon.com/Prescription-Love-Leeanne-Marie-Stephenson/dp/1424165075/sr=8-12/qid=1172424584/ref=sr_1_12/104-7067955-3361511?ie=UTF8&s=books
A PRESCRIPTION FOR LOVE
BY
LEEANNE MARIE STEPHENSON

Leeanne Marie Stephenson
Author of "A PRESCRIPTION FOR LOVE"
(Publish America ISBN# 1424165075)
www.lmstephenson.com

Tuesday, September 18, 2007

Finding Funboy by Matt Golec


“Finding Funboy” by Matt Golec

Why did you pick the setting you used in your story?

I set most of my novel, “Finding Funboy,” in Portland, Maine, the town where I grew up. I’ve lived other places since -- places I’ve enjoyed more, places I’ve been more excited about showing visitors -- but like friends you have from childhood, the place where you grow up has an emotional hold on you that runs pretty deep. I hoped that emotional connection I have with Portland would translate into a rich setting for “Finding Funboy.”



What does the setting add to the story?

Portland is a small city where the main character -- a young man not quite out of college -- has lived all of his life. As he comes of age, the main character
realizes that if he really wants to move into adulthood, he may have to leave the familiar setting of Portland behind, at least for a while.



Could you write the same story in a different setting?

Not with the same depth or command of details.



Why or why couldn't you use a different setting?

An important theme in “Finding Funboy” is growing up, and the setting allowed me to contrast the changes happening in the main character with the comfortable but relatively static place he’s always known.



Did you use a real place as a basis for your setting? Or, did you create the setting from scratch?

Portland is a real place, but I did play a bit loose with some of the geography and place names to serve the narrative. Hopefully, long-time residents won’t be too upset with the slight liberties I took.



Is there anything else about your setting that we need to know? Feel free to share.

Although Portland has changed in the 20 years or so since I last lived there full-time, it’s still a place I enjoy coming back to. It was a sincere pleasure to
feel as if I was ‘living’ there again while writing “Finding Funboy.”



Please provide your website link.
www.mattgolec.com



What is the link to buy your book?
www.booksforabuck.com/mystery/mys_07/finding_funboy.html
or www.lulu.com/content/1041286



Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

Above all, visitors should bring their appetites. Portland is an old coastal city with cobblestone streets and red brick storefronts, and you can hardly swing a summer tourist without hitting a wonderful restaurant. Jackets are also nice to have along for those cool, foggy nights, and sunscreen and a towel will come in handy for plunking down at one of the Portland area’s many beaches.



Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

You can buy “Finding Funboy” at www.booksforabuck.com/mystery/mys_07/finding_funboy.html
or www.lulu.com/content/1041286

Tuesday, September 4, 2007

CJ Maxx - Coming Back a Virgin


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us...
Okay. I won’t give you “because I live there”. I’ll be more flippant, because it fit the story. Now, I’ll explain.

Why you chose that particular setting?
My hero doesn’t have a clue about romance or women. In his spare time he writes mainstream novels with pornographic sex scenes. I wanted his surroundings and his apartment to reflect someone with little intimate contact with actual females.

What does the setting add to the story?
It reinforces who he is. He sees his place as a cool bachelor pad. The state of disarray, the lack of food, the mismatched furniture, his collection of X-rated videos, the need of a thorough cleaning, and everything else points to the lack of females in his life and his cluelessness.

Could you write the same story in a different setting?
I suppose I could have made him a compulsive cleaner without a clue about women but it would have taken a lot out of the story. No, the setting’s critical to the story.

Why or why couldn't you use a different setting?
My whole point about the setting was to reinforce his weaknesses. Besides that, it gives my heroine something to bitch about, something to question why she’s there.

Did you use a real place as a basis for your setting?
No. The apartment is imaginary. I used the name of a restaurant in the Knoxville, Tennessee area but I never identify where he lives. I’ve used that restaurant in another story and I just like the name of it. I’ve never been there.

Or, did you create the setting from scratch?
Definitely from scratch, the apartment is never described until the heroine makes her walk-through inspection. Much to her disgust, I might add.

Is there anything else about your setting that we need to know? Feel free to share.
The transformation of the setting is essential to the story. It changes from a bachelor’s slovenly haven into something that a woman could enter without cringing. In fact, some actual romance takes places there.

Please provide your website link.www.cjmaxx.net

What is the link to buy your book?http://www.whiskeycreekpress.com/torrid/index.php?main_page=product_info&cPath=4&products_id=211

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?
This is probably not a good question for me since the story deals almost exclusively with two characters inside his apartment.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?
The title is Coming Back a Virgin and the publisher is Whiskey Creek Press-Torrid. It can be purchased from them. The link is in a previous question.

Tuesday, August 28, 2007

Fraterfamilias by Peter Ferrer


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us...

It all started with Paris. My cowriter, Judith, picked it because Paris is a lovely, ancient city and we've both been to it. As the initial situation played itself out, it became a matter of logic--where would you go if you were fleeing Paris after you'd committed murder? You have money and you can take a plane. Well, it's a straight shot over to New York and once you get clear of the airport, you can go pretty much anywhere on the continent. The story had to be set in New York.

What does the setting add to the story?
New York is a port city, cosmopolitan and multicultural, with a venerable history of crime. This gave us a chance to show the collisions between some very different characters.

Could you write the same story in a different setting?
We briefly considered setting it in Vancouver (Judith is from Vancouver), since so many stories are set in big American or European cities, already. But it didn't work out.

Why or why couldn't you use a different setting?
The opening scene really establishes the parameters for the setting such that it could not be any other city in the world. To set it elsewhere would be like setting "Casablanca" in Poughkeepsie. It wouldn't work. It just had to be New York.

Did you use a real place as a basis for your setting?
City-wise, yes. And we very carefully researched as much of the layout of the public places (like JFK and the Port Authority bus station and the public transit system) as we could for realism. That was hard because neither of us was anywhere near New York at the time that we wrote the book, though of course we've both been there. I'm sure there were some errors, since it's not easy to research things like public transport online in this day and age. People wonder why you're doing it!

Is there anything else about your setting that we need to know? Feel free to share.
We started writing the story before 9/11. Ultimately, we chose to set it before 9/11, as well. New York has changed since then and we wanted to deal with the fin de siecle atmosphere immediately before that, when many things were simmering but not exactly public knowledge. We also wanted to deal with the city's history of immigration, its cosmopolitan nature. We worried that by bringing 9/11 into it (as setting the story after 9/11 would inevitably do), everything else would fade and it would become a 9/11 thriller. There is more to New York than that.

Please provide your website link:
http://www.geocities.com/rpcv.geo/other.html

What is the link to buy your book?
http://www.virtualtales.com/StoryProducts~tn~Fraterfamilias.html

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?
New York has a huge number of very different people in a relatively small space, with many boroughs that have their specific, colorful histories. One thing you'd notice right away are the subway and the busses. We use both extensively in our book because our characters are too poor to use taxis and New Yorkers don't generally drive. It's a huge public transport system dating back to the 19th century. A visitor to New York would also need to know about JFK (since this, along with La Guardia) is the major airport for the city, and the Port Authority bus station. When it comes to city public transport, bring a map, money and patience. You can go all over the place and see things you might not notice if you drove a car. But it may take you a while to get there.

Thank you for sharing details about your book setting.
Thank you for having me!

Now, what's the title of your book and where can we buy it:
Fraterfamilias, under the pseudonym "Peter Ferrer". You can find it at Virtual Tales, Fictionwise and several other online venues.

Tuesday, August 21, 2007

Judi Moreo and Kim Baccelia - Virtual Tour Stops

Promotional Interview with Judi Moreo

This is the first author promotional interview that I've posted on my Self Promotion blog on the Inspired Author site. This is the first interview in a series that I'm doing with Kathleen Gage. She is posting some on her blog and I'll be posting all of the interviews on my site. To read about Judi Moreo's promotion - visit http://inspiredauthor.com/v3/promotional-interview-judi-moreo-0

~ and ~

Kim Baccellia - Young Adult Author - Earrings of Ixtumea

Join Nikki Leigh and Muze as they interview young adult author Kim Baccelia about her book - Earrings of Ixtumea. This is the opening question of the interview -

Nikki & Muze – I was reading the synopsis for your book and was intrigued by the inner struggle that your character faces. It’s also interesting that she is confronted by the same cultural problems in the fantasy world. Can you give us some information about how you came up with this idea and what sort of problems she deals with in the story?

Kim –As a bilingual teacher in the later ‘80’s and early ‘90’s, I saw a lot with my second language students. I taught in a LA county school district, close to East LA. I also was researching my own family history at this time. I was bothered how each year my students would draw themselves blond, blue-eyed, and fair skinned. Click here to learn more about Kim and Earrings of Iztumeahttp://muzesmusings.blogspot.com/

Nikki Leigh – Fiction Author – www.nikkileigh.com
Book Promo 101 – www.nikkileigh.com/book_promo_101.htm
“Coastal Suspense with a Touch of Romance”

Sunday, August 19, 2007

Tara's Honour by Bryn Colvin


Why you chose that particular setting?

I’d already written a couple of stories in this particular fantasy setting and as I had a few speculative ideas I wanted to play with, it seemed the obvious choice. I’d read a science article exploring the idea that caffeinated substances you imbibe may affect how you perceive reality. The other strand underpinning the story came from a role play game I ran about a decade ago. At one point one of the girls playing had her character return to her hometown to find she’d been accused of killing her father. Remembering the game, I thought it would make a good story. With those two plot elements in mind, I needed a fantasy setting and thought I might as well use the one I’d already developed – Estraguil, my magical forest.

What does the setting add to the story?

Firstly there’s the forested landscape, full of unfamiliar plants, animals and dangers. Then there’s the possibility of magic which works best in fantasy environments I think. Then there’s the laws. Estraguil is inspired heavily by the Forest of Dean, and I took a lot of ideas from Medieval Welsh culture to provide the details. One such aspect is the legal system where those accused of a crime are tried by their entire community. To be found innocent, a set number of people have to give their word that they believe you wouldn’t have committed the crime. The more serious the accusation, the more people have to speak for you. So while proving your innocence is effective, someone of good repute might get away with it because their community would believe they wouldn’t have done it. There’s also a different social structure, where polyamoury is perfectly normal, and people swear allegiance to each other in interesting ways – not a servant and master scenario, something more balanced.

Could you write the same story in a different setting?

Not exactly the same story, no. A Welsh Mediaeval setting would allow me to cover a lot of the same ground. Another fantasy setting would allow me the magical elements.

Why or why couldn't you use a different setting?

I’d lose the combination of effects in a different setting – the old Welsh laws, the polyamoury, the forest, the magic – its all part of the story and to lose any one element would reduce the whole significantly. I’d be back to the drawing boar for flora and fauna. Nothing else would work quite so well. Having been built up over a number of books, Estraguil is almost a character in its own right and the setting informs the other characters in a host of ways.

Did you use a real place as a basis for your setting?

Yes. My paternal grandparents lived in the Forest of Dean, in the UK, and it’s an area I know quite well. With hills, narrow valleys, the river Wye and a lot of forest, it’s a beautiful and quite an unusual place, and it gave me the starting point for creating Estraguil. Visiting Chepstow castle, I noticed one of the towers has stone figures around the top. Wondering about those figures set me off down the line of thought that led to the creation of Estraguil. The name is an old name for Chepstow, and I thought it sounded perfect.

Or, did you create the setting from scratch? Tell us some specific details about your setting. What would we see?

Estraguil is densely wooded, full of running water and wildlife. There are paths – most of them made by animals and going nowhere especially useful. The easiest way to travel is on the larger rivers, using a boat, but the giant otter-like creatures (emerys) may sink your boat if they try and play with you, the tidal mudflats are treacherous, and some of the trees on the riverbank aren’t trees at all, but stalking poldens – large wading birds who camouflage themselves amongst the trees as they hunt for prey. There are mountainous areas, and you may catch sight of the Maisrians with their crafted wings, soaring on the thermals. You might meet a wandering Strafian story teller, or a band of violent, shape-shifting Illyans. The forests are full of dangerous beast – giant, thick skinned and evil tempered gwibers that eat anything, krask hounds with their instinctive precognition, or the krask themselves, notoriously hard to kill and very fierce. The forest teems with life, much of which will try to eat careless travellers.
What sort of people are there?

There are twelve kith groups in Estraguil, and all have different cultures. There are three genders, although its not always immediately obvious which gender any person belongs to. Hair and eyes come in every imaginable colour, skin tends to be various shades of brown, but can also be any shade imaginable. Some individuals have feathers, scales, hooves, or even leaves partially covering them. These are perfectly natural variations. Extra fingers, forked tongues, and other animal characteristics help the denizens of Estraguil to survive in the forest.
If we were travelling to your setting, what should we bring with us?

For visitors, what do they need to know to visit your setting?

Bring only what you can carry on your back – there are no horses or other pack animals and travelling light is best. A knife, a blanket, a water bottle, perhaps a bow or a spear for hunting. Metal is highly valued, being scarce and largely confined to the mountains. If you don’t have hooves or the ability to fly, then a stout pair of boots will serve you well. Some of the kith groups are very territorial and aggressive, so good manners are essential, as is a willingness to fight if needs be. It’s safest to sleep in the trees, so a hammock will help. Mistrust anything you aren’t familiar with. Many of the plants and smaller creatures are dangerous to the unwary, especially the small lizards, which hunt in large packs.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

Tara's Honour
http://www.whiskeycreekpress.com/chapters/TarasHonour_BrynnethColvin.shtml

Wednesday, August 8, 2007

Gatekeeper's Realm by Elena Dorothy Bowman



Why did you pick the setting you used in your story?

I'm not looking for -- "because I live there". I want you to dig deep and tell us...It just seemed the natural setting for a mystery, paranormal series. The house up on the rocks overlooking the ocean caught my attention and the more I looked at it, the more it seemed to fit perfectly.

Why you chose that particular setting?

In all the years my family and I had been going to Good Harbor in Gloucester, we never saw anyone walk in or out of that house. I couldn't help but wonder why no one even went in there.

Was there something horrible that happened in that house? Was someone murdered? Why did it seem so forlorn, so lonely, so empty?What does the setting add to the story?

Actually, the house is the story, or a main part of it, because all the trials and tribulations the characters suffer happen inside the house or the area around it, down to and including the sea coast villages nearby.

Could you write the same story in a different setting?

Probably, but it wouldn’t have the same charm, eeriness, or trials, that the house and the surrounding mystery brings to it.

Why or why couldn't you use a different setting?

It simply wouldn't be the same story.

Did you use a real place as a basis for your setting?

Yes, actually, the house itself is real, although what I wrote about it, as far as I know, never happened. However, the towns and surrounding areas are a composite of many different places.Yes and no. The town involved is not actually real, but it is a composite of several towns, and of course, I have no idea if any town or area I portray in my novels, actually exist outside my imagination.Or, did you create the setting from scratch?Other than the actual house, yes, the rest of the setting is a figment of my imagination.Tell us some specific details about your setting.

What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

The house itself is, as some would say, enchanted. The owners, Abigail and Ethan, are decendants of the Founding Fathers, and Abigail's stay at the house is paramount to her becoming the owner. The visitors read a brochure assuring those who sought a new and different vacation that they would not be disappointed. It trumpeted a vacation hideaway that had no electricity, no running water, pumps only, no central heating system, no phones and no television. It also boasted of fabulously appointed rooms, fireplaces, breathtaking ocean views, swimming, underwater caves, sailing, and a touch of suspense and intrigue. But neither Abigail, Ethan, or the visitors were prepared for the apparitions that decided to invade the house. And if you were a guest at this setting, you would bring the normal things one would take on vacation plus a strong appreciation for the unexpected.Thank you for sharing details about your book setting.

Now, what's the title of your book and where can we buy it?

The title of the book is the Gatekeeper's Realm. It is the second book in the Legacy Series and can be purchased at: http://www.amazon.com/, http://www.booksurge.com/, http://www.cambridgebooks.us/, or your favorite book store.