Saturday, November 24, 2007

Silk Palace by Colin Harvey


Why you chose that particular setting?

I wanted a world that wasn’t this one, nor in any way linked to ours, because the logic of having the Gods walking among us does not relate in any way to our world or our history.

As a part of that world, Whiterock is in a central position as the tipping point between two much larger Empires; it’s literally a fulcrum for the world, as one of the characters observes.

What does the setting add to the story?

At times the Silk Palace is almost a character in its own right – it’s a lurking, brooding presence where strange things skitter and lurk in the corners.

Could you write the same story in a different setting?

I don’t think so, unless I had another place with such strong characteristics.

Why or why couldn't you use a different setting?

For all the reasons given above!

Did you use a real place as a basis for your setting? Or, did you create the setting from scratch?

No – it’s a composite of many places and my imagination.

Is there anything else about your setting that we need to know? Feel free to share.

These are my original notes:

The Silk Palace is built on a huge white rock, which gives the Kingdom of White Rock it's name. The town of the same name is a wooden walled one, that's spread around the rock. The Kingdom extends 10 miles North and 40 miles South, by 15 miles East and 25 miles West. So the Kingdom is 50 miles long by 40 wide.

The Kingdom is situated in the only sizeable gap in the Spine Range, which bisects the Continent of Tarknang. The continent is at this point (it's narrowest) six hundred miles from North-South. To the North of the 200 miles of Spine are scattered islands in a sub-arctic sea, which with no warm current, freezes over badly outside of Summer.

North of White Rock, are the marshes of Llamarghesa, perhaps 35 miles long by 50 wide. Flamingoes, bulls, pelicans, all inhabit the marshes. So do other, more sinister creatures. Northwards again, the Spine rises steeply, perhaps on a 1 in 5 gradient, so by 10 miles northwards, the mountains are up to 10000 feet high. Southwards, they rise at perhaps 1 in 6, so that by 15 miles south of White Rock, they're 13,000 feet high. So there are mountains perhaps 55 miles in each direction, clearly visible on a very clear day.

Please provide your website link.

http://www.geocities.com/colin_harvey/TheSilkPalace.html

What is the link to buy your book?

In the USA ; http://www.amazon.com/Silk-Palace-Colin-Harvey/dp/1934041424/ref=sr_1_1/103-3811783-1271041?ie=UTF8&s=books&qid=1193587154&sr=1-1

In the UK ; http://www.amazon.co.uk/Silk-Palace-Colin-Harvey/dp/1934041424/ref=sr_1_1/203-2993755-7182356?ie=UTF8&s=books&qid=1193586998&sr=8-1

Or electronically: http://www.fictionwise.com/eBooks/eBook51966.htm?cached

Tell us some specific details about your setting. What would we see?
A flat grassy plain from which a vast white monolithic rock like a giant albino Ayers Rock rises sheer to the point where you have to crane your neck. On top of this, if you took a balloon ride up there, you would see a citadel miles in diameter spreading across the surface.

What sort of people are there?

All sorts! There are chisellers, hucksters, nobility – like all trade routes, blacks and whites and others mix together.

If we were traveling to your setting, what should we bring with us?
Some money to pay the inevitable tax that they’ll charge you for traveling through their land. A small dagger for guarding against pick-pockets.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

The Silk Palace – it’s out from Swimming Kangaroo Books, and you can buy it from amazon or fictionwise, or you can drop me a line via MySpace if you want a signed copy!

Thanks for reading this, if you have, and to Nikki for allowing me the opportunity.

Novels from Swimming Kangaroo Books:
Lightning Days -- SF, Finalist for the USA Book News Awards
The Silk Palace -- "compelling" Library Journal
"Intrigues, betrayals, murders, love affairs, transformations, and
revelations," Bruce Boston, author of The Guardener's Tale

www.geocities.com/colin_harvey www.myspace.com/colin_harvey

Saturday, November 17, 2007

Late Night Sessions




Why you chose that particular setting?

I wanted to write about music, musicians and most especially folk. It made sense to use the West midlands folk scene as my setting because I know it fairly well. All of the festivals mentioned in the story either exist, or have done in the past. I made up some of the sessions because those tend to come and go anyway, but otherwise it’s a fairly accurate portrayal.

What does the setting add to the story? The folk scene is a colourful place full of interesting characters and unusual goings on. It’s rather like a large village that has been dispersed across the country, but which reforms whenever it can. Friendships in this community tend to last. Clubs, festivals and sessions create friendly environments in which like minded people can get together, making it the perfect place for a young folk enthusiast to find love.

Could you write the same story in a different setting?

No. The frequency of festivals across the summer (at least one a month in easy driving distance from Birmingham) is essential to the story, and I’m not sure where else I could realistically place such a thing. Given how small a world the folk environment is, it allows people to run into each other without stretching credibility at all.

Why or why couldn't you use a different setting?

The folk world isn’t just about the music – it’s a culture and a community. People tend to look out for each other. As a young single woman, you can wander round a festival alone late at night and feel perfectly safe. If other music genres function in the same way, I’m not aware of it so couldn’t write it anyway.

Did you use a real place as a basis for your setting?

Yes, for the greater part. All of the festivals mentioned in the story are real, or used to exist. The parts of the story set around Malvern also use real places, as are most of the scenes set around Birmingham. The houses are all inventions, as are some of the sessions, but everything else has some real basis. The ford at Coughton, the Feckenham Woodland burial site, Hobgoblin Music store, and others are all real.

Tell us some specific details about your setting. What would we see?

At a typical festival you would see fields full of canvas, with numerous tents and caravans surrounding several big marquees. The ground is muddy and most people wear boots or wellies, because the great British summer can seldom be trusted. There are strains of music in the distance, smells of cooking food and beer. All around, people are conversing in small groups, waving to friends and enjoying themselves. Soon the concerts start, and the chairs in the marquees will with an eager audience. Some time after midnight, the sessions begin, when the real devotees stay up to share songs and music, often singing in the dawn, staggering arm in arm back to tents and sleeping bags.

What sort of people are there?

Everyone from babes in arms to the elderly, although the majority are middle aged, middle class and a touch bohemian. Expect long hair and beards, flowing skirts, tankards worn on belts and an enthusiasm for real ale. Folk people are passionate about their music, story telling and dance, and are generally a laid back, good humoured crowd out to have a good time regardless of the weather.

If we were travelling to your setting, what should we bring with us?

A tent, sleeping bag and other camping kit is advisable. If you play a musical instrument, bring it (if it’s portable) otherwise, be ready to sing. Beer money is essential, and a warm jacket for when things turn cold late at night will serve you well. Come with an open mind – folk is not all hanky waving morris men and beardy guys with their fingers in their ears. It can be young and sexy too. Or old and sexy for that matter.

For visitors, what do they need to know to visit your setting?

If you are polite, responsible and follow the perfectly reasonable instructions you may get from the stewards, then you will have a good time. It’s always colder than you expect it to be, and there is usually mud so come prepared!

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

Late Night Sessions

http://www.amazon.co.uk/Late-Night-Sessions/dp/1934446076/ref=sr_1_1/202-6559455-6676664?ie=UTF8&s=books&qid=1191227563&sr=1-1

http://www.amazon.com/Late-Night-Sessions-Bryn-Colvin/dp/1934446076/ref=tag_dpp_lp_edpp_ttl_in/105-8048599-4428442?ie=UTF8&qid=1191227046&sr=8-8

Judgment Fire by Marilyn Meredith



Why you chose that particular setting?

The setting for Judgment Fire and most of Deputy Tempe Crabtree series is a mountain community in the Southern Sierra (CA) called Bear Creek. It is very much like the town I live in except I moved it up into the mountains a thousand feet for better trees.

The Giant Sequoias are in the higher elevations, a river runs through the area and it's called Bear Creek, there is a lake several miles below the town, and an Indian Reservation nearby. (All these things are true for where I live too except for the names of places and things.)


What does the setting add to the story?

I like writing about a small town, a small town surrounded by mountains and wilderness areas. Because of the Indian reservation, people from the reservation often play important roles in the stories. There is a lot of draw on from the setting.

Could you write the same story in a different setting? No, then it wouldn't be the same story.

Why or why couldn't you use a different setting?The setting plays a very important part in every one of my stories, often as important as the characters.

Did you use a real place as a basis for your setting? Yes, as I said earlier, it is where I live. I grew up in Los Angeles and the dynamics of a small town are fascinating to me.

Or, did you create the setting from scratch? No, but I've certainly taken a lot of liberties with the setting.

Is there anything else about your setting that we need to know? Feel free to share. In each book, I focus on a different area of where I live--might be the reservation, or the lake, or higher in the mountains. In the book coming next year, Kindred Spirits, Tempe will spend time in Crescent City and Santa Barbara CA.

Please provide your website link.

http://fictionforyou.com

What is the link to buy your book?
http://www.mundania.com

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

Our town is the gateway to the Sequoias. It is a place where many visitors pass through on their way to the high country. The real town has a rodeo every year, an Apple Festival (30,000 people come to this two day event), a Jackass Mail Run, Music in the Park on Friday nights during the summer. We have no bank, only an ATM, an Inn (which is often featured in my books), four other cafes (though this changes), a dress shop, two gas stations with grocery stores, a newspaper office which doubles as a visitors', two second hand stores,
and a post office. The river has several nice swimming holes including a great one right behind my house.

We have wild animals: deer, bobcats, mountain lions, raccoons, possums and an occasional bear.

Lots of folks live in the mountains in houses and cabins. There are many ranches and orange groves--and people are moving up from the cities and building big houses.

If you're coming in the winter time, bring clothes suitable for snow, if you're coming in the summer bring your swim wear, sun screen and bug repellant.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

Judgment Fire can be ordered through any bookstore, but easiest to purchase from the publisher:
http://www.mundania.com

See what's new at: http://fictionforyou.com
http://www.policewriter.com
NEW BLOG at http://marilynmeredith.blogspot.com/

Sunday, November 4, 2007

A Prescription for Love - Leeanne Marie Stephenson


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us

Why you chose that particular setting?
I chose Michigan and the community I worked in as a Registered Nurse. I take the reader on a journey back into the 1970's at Blodgett Hospital where I began my own career as a nurse. All the places in Michigan that I write about, I have visited, so I have a first hand knowledge of their beauty and significance!

What does the setting add to the story?
Since my story is a medical romance, it depicts the heart of the medical community in Michigan. it also takes the reader into a world of wealth and prestige in the varios wealthy areas of Michigan.

Could you write the same story in a different setting?
I could write the story in another hospital setting.

Why or why couldn't you use a different setting?
A different setting would be difficult, because the personlity of the setting wouldn't come through since I never experienced the setting myself. In particular, Michigan's Mackinac Island is such a glamorous romantic setting, it couldn't possibly be repaced in my story!

Did you use a real place as a basis for your setting?
Every place I wrote about existed back in the 1970's, and I have been to all these places.

Or, did you create the setting from scratch?
Is there anything else about your setting that we need to know? Feel free to share.
This romantic journey highlights Grand Rapids, East Grand Rapids and the beautiful historical Mackinac Island of Michigan. The details of the setting make you feel as though you are right there with the characters. You willparticularly fall in love with the romantic Mackinac Isalnd! It's a love story in a setting you don't want to miss!

Please provide your website link.
http://www.lmstephenson.com

What is the link to buy your book?
http://www.amazon.com/Prescription-Love-Leeanne-Marie-Stephenson/dp/1424165075/sr=8-12/qid=1172424584/ref=sr_1_12/104-7067955-3361511?ie=UTF8&s=books

A PRESCRIPTION FOR LOVE
BY
LEEANNE MARIE STEPHENSON

Sunday, October 21, 2007

One Smooth Stone by Marcia Lee Laycock


Why did you pick the setting you used in your story?
The first part of One Smooth Stone is set in the Yukon Territory, Canada. I chose it because I wanted to tell a story about a young man who is trying to hide. I lived in the Yukon for many years and many of the people I met there fit that profile in one way or another.

What does the setting add to the story?
I think it adds a dimension of intrigue and mystery, especially when the protagonist returns to the north and goes deeper into the wilderness, still trying to hide.

Could you write the same story in a different setting? I don't think it would work in a different setting. The dynamics of what happens are integral to the setting. There is an episode with a Grizzly, for instance. The story could have been set in Alaska, but I think it would have a different 'feel.'

Did you use a real place as a basis for your setting? Yes. Dawson City is a real place, the Yukon River is described as it really is, and the cabin and mining camp are taken from real places, though not specific.

Is there anything else about your setting that we need to know? Feel free to share.
The second part of the book is set in Seattle WA. I chose it because I wanted a coastal, misty/moody kind of place. - the west coast in winter.

Please provide your website link.
www.vinemarc.com

What is the link to buy your book?
www.castlequaybooks.com

Tell us some specific details about your setting.
What would we see?
A lot of bush, rock and water. Harsh white landscapes in winter, often a dense ice fog that shrouds everything - the kind of fog you can get lost in.

What sort of people are there?
Rugged individualists who want to live life on their own terms.

If we were traveling to your setting, what should we bring with us?
For winter - down clothing, very warm boots and mitts.
For summer - insect repellent. Lots of it.

For visitors, what do they need to know to visit your setting?
If you're driving bring lots of spare tires.

Thank you for sharing details about your book setting.
My pleasure. Thanks for the opportunity.

Now, what's the title of your book and where can we buy it?
One Smooth Stone. It can be ordered through any bookstore - just tell them it's distributed by Augsburg Fortress Books - or order online from Castle Quay Books (link is above) or from Amazon, eventually - the book was just released so it will take a while for it to be posted there.

Marcia Lee Laycock
Author of One Smooth Stone
No matter how far you run, God will find you; no matter what you have done, God will forgive you.
www.vinemarc.com
www.marcialaycock.blogspot.com

Monday, October 15, 2007

The Dowry Bride by Shobhan Bantwal


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us...

I wanted the setting to suit the rather conservative facet of India's culture that I was trying to portray in the book.

Why you chose that particular setting?

My story needed to be set in a small and tightly-knit town. A big, bustling city would be too modern and wide open for the kind of story I had in mind.

What does the setting add to the story?

It adds to the intrigue and fear factor, especially in the opening scene, when my traumatized heroine is running through dark and deserted streets to save herself from death by fire. An urban setting would not quite adapt itself to that.

Could you write the same story in a different setting?

I honestly doubt it, because I more or less had the setting in mind well before I started writing the story.

Why or why couldn't you use a different setting?

I have a beautiful river in my setting, narrow, semi-rural streets, and a conservative bunch of residents. Another setting wouldn't have all those elements.

Did you use a real place as a basis for your setting?

Yes I did, more or less. When I pictured the setting, I clearly saw the small town I grew up in, including the streets, the flora and fauna, the smells and colors.

Or, did you create the setting from scratch?
No, I didn't.

Is there anything else about your setting that we need to know? Feel free to share.

I gave the town in my book a fictitious name: Palgaum, which rhymes with the name of my hometown, Belgaum. It's not all that hard to figure out the connection.

Please provide your website link.
http://www.shobhanbantwal.com

What is the link to buy your book?
http://tinyurl.com/24dlec

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

Since my setting is entirely fictitious, there would be nothing to see. Everything the readers see is through my eyes and by reading my book.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

My book's title is THE DOWRY BRIDE and it's available at all major bookstores and on line through all national on line stores. The Amazon link is http://tinyurl.com/24dlec

Thank you for inviting me to talk about my story and setting. I've enjoyed this immensely since I love talking about my story.

Sunday, October 14, 2007

The Last Free Men - by Jack Everett & David Coles


The Last Free Men - by Jack Everett & David Coles.

Why you chose that particular setting?

Hadrian's Wall was built to divide Scotland from England in the 2nd Century CE. We spent a long spring time week-end trekking along the Wall and exploring the remains of the Roman fortresses.

One evening, just as the sun was touching the hills beyond the little river of Poltross Burn, we found a place where Hadrian's Wall used to cross the water. The crossing is called Willowford and of course, the ancient bridgeworks have long since tumbled into the water.

At that time of the day, though, it was possible to look back into history, we could see the Roman legionaries trudging along the Wall, we could hear the native tribesmen planning their raid.

We already knew about the layers of ash that signified fires in the nearby mile castles and the turrets. As the sun was setting, it was easy to see the tribesman slide into the cold water and let themselves drift through the sluiceways, to seek cover, to... well, the story almost told itself.

There was one more thing that compelled this story. We came across this quote from the histories of Tacitus, it's from the pre-battle address to his warriors by Calgacus at Mons Graupius:-

“We, the last men on earth, the last of the free, have been shielded till today by the very remoteness and the seclusion for which we are famed... But today the boundary of Britain is exposed; beyond us lies no nation, nothing but waves and rocks and the Romans.”

What does the setting add to the story?

Mood! Where else are you going to find 2000 year old forts, a wall stretching over 80 miles, from one sea to another? Country so rugged that it's almost too hard to wring a living out of it?

This was under the heel of the Roman Army; arguably, the most successful military machine in history - think of the plight of the American Native tribes under the British and spread that across the known world of two centuries ago. Britain supplied wheat, silver, gold, lead, hunting dogs, slaves and conscripts - rich pickings.

And trouble. Boudicca almost routed the Roman Army and caused them to think twice about staying - these barbarians were dangerous. The Druids, according to the Occupiers, practiced religious rites that even the Romans called abominations. Hadrian built his Wall to keep out the savages beyond

Could you write the same story in a different setting?

It wouldn't then be the same story

Why or why couldn't you use a different setting?

We use a lot of real places, real people and events from history that don't appear together in other settings.

Did you use a real place as a basis for your setting?

Hadrian's Wall in general, Housesteads Fort in particular, are real places. You can go there and soak up the ambience, what went into the book can be seen in your mind's eye. Our first glimpse of the book happened at sunset where a small river runs through the remains of the Wall, it was all there.

Or, did you create the setting from scratch?

The later stages of the book take place in an off-the-map location, a place that is a fusion of several others. We needed something tailored to our requirements and then we buried it under a falling mountain.

Is there anything else about your setting that we need to know? Feel free to share.

Hadrian's Wall was conceived as a military installation, major forts are built every few miles, fortlets are built every mile, guard turrets every hundred yards. Before its final completion, it became a customs post, with gateways at convenient points, villages with hotels grew up near most of the forts. Trade went on, smuggling, the odd raid; occasionally, major forays into the barbaric lands north of the Wall were mounted - punitive, mostly.

The later setting, a large plain scoured out of a rocky valley by an ancient water flow was built especially for the story. Perhaps the ancient Gods of Britain had a hand in that; Marcus Uffin Gettorix, hero, was never really sure.

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were travelling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

Britain in AD128 was a beautiful and a wild place. It was a place of wretchedness where Death was a casual visitor and Disease an ever-present one. It was a place of civilised living with more and more of the native chiefs buying into the Roman dream of comfortable villas and baths and mosaics and wine instead of ale.

Roman military might was everywhere, guards, marching columns, barracks, highways. Roman Gods had come with the occupiers so there were shrines and temples to Jupiter and Mithras and so on, but they were quite tolerant of the local hierarchy and there would be both British and Roman shrines to Coccidius and others, even to local geneii. Smells: the smell of horse dung, wood smoke, sweat, human faeces.

Native dress consisted of linen gowns for women, bleached, dyed and embroidered, while men wore checked woollen trousers, long shirts. Both sexes wore woollen cloaks and boots, both wore jewellery: torcs, armbands, brooches made from silver, bronze, sometimes gold. Much of the jewellery was very fine, traded from the continent as well as made at home. The men carried weapons, steel swords longer than the Roman weapons and often forged with beautiful patterns - the equivalent worth of a modern small car.

The Roman men were mostly military and would wear military gear; the less macho would wear woollen trousers in the harsh British winter. A certain proportion would be traders, clothed in similar fashion to the native Britons.

Travelling far usually meant horseback or horse and cart. Romans or Romanophiles would stay at hotels along the way. Such hotels were government run in a similar way to modern establishments. Money was in the form of coin, issued by major British chieftains or Roman, minted in Rome and sent in strongboxes to pay the army.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

The Last Free Men - by Jack Everett & David Coles

Please provide your website link.

http://www.davidBColes.co.uk http://www.JackLEverett.me.uk

What is the link to buy your book?

http://www.virtualtales.com/StoryProducts~tn~Last+Free+Men.html
The Last Free Men - by Jack Everett & David Coles.

Why you chose that particular setting?

Hadrian's Wall was built to divide Scotland from England in the 2nd Century CE. We spent a long spring time week-end trekking along the Wall and exploring the remains of the Roman fortresses.

One evening, just as the sun was touching the hills beyond the little river of Poltross Burn, we found a place where Hadrian's Wall used to cross the water. The crossing is called Willowford and of course, the ancient bridgeworks have long since tumbled into the water.

At that time of the day, though, it was possible to look back into history, we could see the Roman legionaries trudging along the Wall, we could hear the native tribesmen planning their raid.

We already knew about the layers of ash that signified fires in the nearby mile castles and the turrets. As the sun was setting, it was easy to see the tribesman slide into the cold water and let themselves drift through the sluiceways, to seek cover, to... well, the story almost told itself.

There was one more thing that compelled this story. We came across this quote from the histories of Tacitus, it's from the pre-battle address to his warriors by Calgacus at Mons Graupius:-

“We, the last men on earth, the last of the free, have been shielded till today by the very remoteness and the seclusion for which we are famed... But today the boundary of Britain is exposed; beyond us lies no nation, nothing but waves and rocks and the Romans.”

What does the setting add to the story?

Mood! Where else are you going to find 2000 year old forts, a wall stretching over 80 miles, from one sea to another? Country so rugged that it's almost too hard to wring a living out of it?

This was under the heel of the Roman Army; arguably, the most successful military machine in history - think of the plight of the American Native tribes under the British and spread that across the known world of two centuries ago. Britain supplied wheat, silver, gold, lead, hunting dogs, slaves and conscripts - rich pickings.

And trouble. Boudicca almost routed the Roman Army and caused them to think twice about staying - these barbarians were dangerous. The Druids, according to the Occupiers, practiced religious rites that even the Romans called abominations. Hadrian built his Wall to keep out the savages beyond

Could you write the same story in a different setting?

It wouldn't then be the same story

Why or why couldn't you use a different setting?

We use a lot of real places, real people and events from history that don't appear together in other settings.

Did you use a real place as a basis for your setting?

Hadrian's Wall in general, Housesteads Fort in particular, are real places. You can go there and soak up the ambience, what went into the book can be seen in your mind's eye. Our first glimpse of the book happened at sunset where a small river runs through the remains of the Wall, it was all there.

Or, did you create the setting from scratch?

The later stages of the book take place in an off-the-map location, a place that is a fusion of several others. We needed something tailored to our requirements and then we buried it under a falling mountain.

Is there anything else about your setting that we need to know? Feel free to share.

Hadrian's Wall was conceived as a military installation, major forts are built every few miles, fortlets are built every mile, guard turrets every hundred yards. Before its final completion, it became a customs post, with gateways at convenient points, villages with hotels grew up near most of the forts. Trade went on, smuggling, the odd raid; occasionally, major forays into the barbaric lands north of the Wall were mounted - punitive, mostly.

The later setting, a large plain scoured out of a rocky valley by an ancient water flow was built especially for the story. Perhaps the ancient Gods of Britain had a hand in that; Marcus Uffin Gettorix, hero, was never really sure.

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were travelling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?

Britain in AD128 was a beautiful and a wild place. It was a place of wretchedness where Death was a casual visitor and Disease an ever-present one. It was a place of civilised living with more and more of the native chiefs buying into the Roman dream of comfortable villas and baths and mosaics and wine instead of ale.

Roman military might was everywhere, guards, marching columns, barracks, highways. Roman Gods had come with the occupiers so there were shrines and temples to Jupiter and Mithras and so on, but they were quite tolerant of the local hierarchy and there would be both British and Roman shrines to Coccidius and others, even to local geneii. Smells: the smell of horse dung, wood smoke, sweat, human faeces.

Native dress consisted of linen gowns for women, bleached, dyed and embroidered, while men wore checked woollen trousers, long shirts. Both sexes wore woollen cloaks and boots, both wore jewellery: torcs, armbands, brooches made from silver, bronze, sometimes gold. Much of the jewellery was very fine, traded from the continent as well as made at home. The men carried weapons, steel swords longer than the Roman weapons and often forged with beautiful patterns - the equivalent worth of a modern small car.

The Roman men were mostly military and would wear military gear; the less macho would wear woollen trousers in the harsh British winter. A certain proportion would be traders, clothed in similar fashion to the native Britons.

Travelling far usually meant horseback or horse and cart. Romans or Romanophiles would stay at hotels along the way. Such hotels were government run in a similar way to modern establishments. Money was in the form of coin, issued by major British chieftains or Roman, minted in Rome and sent in strongboxes to pay the army.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

The Last Free Men - by Jack Everett & David Coles

Please provide your website link.

http://www.davidBColes.co.uk
http://www.JackLEverett.me.uk

What is the link to buy your book?

http://www.virtualtales.com/StoryProducts~tn~Last+Free+Men.html