Showing posts with label virtual book tour. Show all posts
Showing posts with label virtual book tour. Show all posts

Sunday, August 17, 2008

Learn More About the Setting for Vietnam Air Rescues


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us...

1. Why you chose that particular setting?


This book is somewhat unique in that it is not so much a story, per se, as a reminiscence of incidents from my past. It was originally written for the benefit of my children, rather than the public in general. Another complication is that it is a collection of stories regarding my experiences during the Vietnam War, thus the ‘setting’ has to be the war as it existed in 1967-1968. Or, at least, the war as it appeared to me.

2. What does the setting add to the story?


The setting is the story. It would be very hard to write a story about combat experiences during the Vietnam War and place the action in say,
Abilene, KS.

3. Could you write the same story in a different setting?

No.


4. Did you use a real place as a basis for your setting?


Absolutely

5. Or, did you create the setting from scratch?


My book is a true story and the setting is very real. There are many pictures on my website and in the book from my time and experiences in Vietnam.

6. Please provide your website link.


www.vietnam-air-rescues.com

7. What is the link to buy your book?


http://www.amazon.com/Vietnam-Air-Rescues-Dave-Richardson/dp/1434891348/ref=sr_1_1?ie=UTF8&s=books&qid=1210355110&sr=1-1

8. Tell us some specific details about your setting.

What would we see?

At first glance, the setting for the book seems huge as it encompasses 3 separate countries: Thailand, Laos and North Vietnam.

Thailand is roughly the size of California, (twice the size of the entire United Kingdom, or 1.4 times the size of Germany).

Laos is barely the size of the state of Utah.

Vietnam today is larger than Italy and nearly the size of Germany. During the time period covered by the book, however, the country was split nearly equally in half.

Upon a closer look, however, the scale shrinks somewhat. The author flew out of a base in Thailand and flew over Laos to land primarily in only 2 spots, one just NE of the Plain of Jars; the other further NE near the North Vietnamese border. Obviously, he never landed in North Vietnam and his only exposure there was in the central and NW areas.

Since rescue missions depended for their success on remote areas, all of the 3 settings in the book involved dense jungle and rough, mostly unoccupied mountainous terrain.

Flying over jungle terrain can be quite boring, as it is impossible to see the ground and the packed density of the trees below tend to blur. What broke up the monotony was the jagged rocks and ridges, called ‘Karsts’, which had to be avoided and navigated through.

Since helicopters were basically incapable of flying at extremely high altitudes, the level at which one flew was critical; fly too high and you are exposed to Surface to Air missile radar and risk being shot down. Fly too low and you are exposed to a variety of ground fire types—from pistols to rifles to machine guns. For these reasons, it was prudent to vary your altitude constantly, always below the level of the mountain peaks to mask the radar and always erring on the low side. A missile radar lock-on was fatal.

What kept one on the alert was the fact that it was impossible to see the enemy, who constantly moved around. What was a safe route yesterday, could become a death trap today.

Once on the ground and assuming the alert posture, the situation changed. The daytime site was a short dirt strip roughly bulldozed near the top of a jungle-covered ridge. The alert pilot’s job was to sit inside a small plywood hut with 7 other men from dawn to dusk waiting for the call to enter North Vietnam and attempt to rescue a pilot who had just been shot down.

The irony of the situation was that the pilot who had just been downed had been traveling at 500+ mph. Now, it was expected that a helicopter, traveling at barely 100 mph, could enter the same area, conduct a search of the dense jungle, locate the downed pilot and hover long enough to bring him up through the jungle growth without being shot down itself.

Back at the daytime site, just a hundred yards or so away the jungle began; rising steeply up the hillside. The cleared area, with the short landing strip, parking area, fuel dump, plywood hut and ‘fortress’ on a small rise belonged to the Americans. The jungle belonged to the enemy, who did not hesitate to shoot at any Americans who were foolish enough to show themselves.

The site was guarded by mercenary troops, who did not speak English and had little interaction with the Americans. If gunfire was encountered from the jungle, the mercenary troops would attempt to discourage it.

The area around the hut was covered with waist-high grass. Buried in the grass were the disintegrating remains of ‘dud’ rocket and artillery shells which had failed to explode upon impact, but would now explode if stepped on or jostled. This created a protective barrier which discouraged the enemy from crawling though the grass to the hut.

There were no bathroom facilities. In addition, the only food and water available was what was carried in. Sitting in a cramped, windowless hut in high humidity all day long, caused a certain, shall we say, ripeness in the air.

Since the enemy would regularly attempt to seize the strip during the cover of darkness, the helicopters would depart just before night fell, retreating some distance SW to a larger site which, although still in enemy territory, had a larger enough troop presence to repel attacks.

This site contained a paved runway and a small city. The difficulty of landing at a controlled ‘airport’ was that there were neither radios nor English-speaking ‘controllers’ is detailed in the book.

The Jolly Green pilot’s would arrive just at dusk and depart the next morning at first light. Therefore, they had little interaction with the nighttime site, other than sleeping in plywood huts.

The normal course of alert duty was as follows:

DAY ONE

1 Takeoff from home base in Thailand and fly to the daytime site

2 After refueling the helicopters, and assuming no one was shot down; sit in a windowless, plywood hut until dusk, monitoring a battery-powered radio.

3 Fly to the overnight site

4 Spend the night

DAY TWO

1 Take off the next morning at first light and fly to the daytime site

2 After refueling the helicopters, and assuming no one was shot down; sit in a windowless, plywood hut until dusk, monitoring a battery-powered radio.

3 Fly to the overnight site

4 Spend the night

DAY THREE

1 Take off the next morning at first light and fly to the daytime site

2 After refueling the helicopters, and assuming no one was shot down; sit in a windowless, plywood hut until dusk, monitoring a battery-powered radio.

3 Fly back to Thailand.

For these actions, covering 3 days and 6 sorties, the Jolly Green pilot would be credited with 1 flight!

What sort of people are there?

The only people I had any interaction with were the mercenary troops who
guarded our sites and this interaction was minimal. They were a proud people, possessed of a culture and mannerisms that were quite different from ours. I go into some detail in the book regarding the cultural differences involved.


If we were traveling to your setting, what should we bring with us?


When I was there, a flak vest, helmet and weapon would be handy. Not sure about today. Perhaps the biggest noticeable difference is the weather. Hot and sticky constantly. One must change socks and underwear quite frequently to prevent it from rotting and, more importantly, causing sores upon your body.

Cool, well ventilated clothing would be a must. We would hang our flight suits in a locker, with our combat boots sitting underneath. A low wattage bulb was kept burning constantly. This provided enough heat to dry out our boots and clothing to prevent rot.


11. Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?

Order link: http://www.amazon.com/Vietnam-Air-Rescues-Dave-Richardson/dp/1434891348/

www.vietnam-air-rescues.com

We've posted an excerpt from the book to share Dave's first rescue - visit http://virtualblogtour.blogspot.com/2008/08/sample-for-you-rescue-1-vietnam-air.html

Feel free to ask questions or leave a comment at every stop on the tour to increase your chances to win a copy of this exciting book.

Sunday, February 17, 2008

Nimrod Rising - A Novel By Steven Clark Bradley

Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us... - Because Nimrod Rising is a vast story of International significance, my setting is really two/fold. I like to think that I have spent a large portion of my life in the cradle of civilization. The main setting of Nimrod Rising is really, Israel. Though it takes a bit of time before the book finally settles in that small but significant country, there is a real sense throughout the book that the story is heading that way. In a real sense, Israel is the spiritual center of the world. For Muslims, there really is no breakdown of society vs. religion. The religion of Islam encompasses every part of life. Sense I have worked with Muslims for over twenty years, I could see the radicalization of the religion long before Osama Bin Laden came on the scene. Most of the first section was written before 9-11. I have never claimed to be a prophet, and actually the need of such foretellers was never necessary. The changes taking place around the world were easy for me to see having lived there for so long. With the changes hitting America spiritually and socially and with the radicals in Islam beginning to strike us because of our support of the State of Israel, it was natural that the end game scenario should take place in the nation. The Israel is a tiny nation; its impact due to its very existence keeps lights burning in the great capitals of the world.

The other major setting is right inside the United States. We picture a nation and a world that has been devastated by terror and a nation that had lost its ability and will to defeat it. America is dissolving and the social attacks slapping the nation against the family, marriage, children and the elimination of civil rights required to fight the terror has left the nation devastated. The two settings converge into a massive wild ride that, of course you'll have to read the book to discover.

What does the setting add to the story? - I spent two years in the country of Pakistan and Bangladesh. That was an eye opener and it gave me a real feel for the culture, the lives and even the various smells of the Middle East. I also spent almost three years in Senegal West Africa where I lived amongst the people and grew to understand the impact of Islam on the lives of its adherents. Even in France, where I lived for over six years, I worked almost exclusively with the Muslim population. Later I went to Turkey and worked there for four years and traveled to Iraq and Israel and truly got a feel for Muslim society. By painting my story with words from my Middle Eastern experience, I was able to create a very true-to-life experience for the reader. Of course, the story itself only lent itself to the Middle Eastern setting.

Did you use a real place as a basis for your setting? - In the case of Nimrod Rising, it was easy to find the place of my story. Though Nimrod Rising is a work of fiction, it is based on historical fact and the events that form the story took place or will take place in the lands I describe. Also, Nimrod Rising spans several countries and they are all key locations. In some ways that made it easier, but in other ways it demanded very precise descriptions. I was helped a lot in that I had spend considerable amounts of time in each location, which helped me in the various cultural, political and layout of the land aspects of Nimrod Rising.

Could you write the same story in a different setting? - From the historical aspect and the biblical and extra-biblical material, Nimrod Rising could only have been written in the areas I used in the book.

Did you use a real place as a basis for your setting? - Yes, especially in the battle scenes of Megiddo and Pakistan and Israel. They are as real as they can get.

Is there anything else about your setting that we need to know? - I really want the readers to know that this is not a scary book as much as it is truly a book of hope and faith and a means of making sense out of a rising chaos throughout the world. There is a lot to be learned in Nimrod Rising. I know that those who read it and feel the power of the story will feel they will have had time well spent.

For much more information about Steven Clark Bradley and Nimrod Rising - visit
http://www.inspiredauthor.com/promotion/steven-clark-bradley-author-nimrod-rising

Wednesday, December 5, 2007

Blog Tours - What Would You Like to Know

I'm doing a tele-seminar next week about blog tours and I would love input from you all.

There are many things to discuss about blog tours and I worked out some initial questions to get people thinking - they are:

Discover Ways to Promote Your Book on a Virtual Blog Tour to Gain Greater Visibility and Sales

  • What are the benefits of doing a blog tour?
  • Should you promote your book in a blog tour?
  • Should fiction and non fiction books be promoted differently in a blog tour?
  • Should you organize your own blog tour?
  • Why hire a publicist to organize your tour?
  • If you hire a publicist, will you still need to work on the tour?
  • Can you use a blog tour to promote anything besides books?
  • Is there a new option in book blog tours?

But, now I need to create a couple of handouts and I'd love your input. Is there any specific info about blog tours that any of you think would be most helpful? Some folks here have done tours, some have hosted touring authors and I bet some of you have thought about doing a tour. So, since many of the people here are authors, I figured it would be a great place to pose the question. What information would you suggest I offer in handouts? Thank you all for your thoughts. There will be plenty of blog tour info coming very soon .

Nikki Leigh

PS - The answer to the last question is - most definitely. Stay tuned for much more information about that option - SOON. Or, contact me to be added to the mailing list - nikki_leigh22939@yahoo.com with Mailing List in the subject line.

Tuesday, September 4, 2007

CJ Maxx - Coming Back a Virgin


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us...
Okay. I won’t give you “because I live there”. I’ll be more flippant, because it fit the story. Now, I’ll explain.

Why you chose that particular setting?
My hero doesn’t have a clue about romance or women. In his spare time he writes mainstream novels with pornographic sex scenes. I wanted his surroundings and his apartment to reflect someone with little intimate contact with actual females.

What does the setting add to the story?
It reinforces who he is. He sees his place as a cool bachelor pad. The state of disarray, the lack of food, the mismatched furniture, his collection of X-rated videos, the need of a thorough cleaning, and everything else points to the lack of females in his life and his cluelessness.

Could you write the same story in a different setting?
I suppose I could have made him a compulsive cleaner without a clue about women but it would have taken a lot out of the story. No, the setting’s critical to the story.

Why or why couldn't you use a different setting?
My whole point about the setting was to reinforce his weaknesses. Besides that, it gives my heroine something to bitch about, something to question why she’s there.

Did you use a real place as a basis for your setting?
No. The apartment is imaginary. I used the name of a restaurant in the Knoxville, Tennessee area but I never identify where he lives. I’ve used that restaurant in another story and I just like the name of it. I’ve never been there.

Or, did you create the setting from scratch?
Definitely from scratch, the apartment is never described until the heroine makes her walk-through inspection. Much to her disgust, I might add.

Is there anything else about your setting that we need to know? Feel free to share.
The transformation of the setting is essential to the story. It changes from a bachelor’s slovenly haven into something that a woman could enter without cringing. In fact, some actual romance takes places there.

Please provide your website link.www.cjmaxx.net

What is the link to buy your book?http://www.whiskeycreekpress.com/torrid/index.php?main_page=product_info&cPath=4&products_id=211

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?
This is probably not a good question for me since the story deals almost exclusively with two characters inside his apartment.

Thank you for sharing details about your book setting. Now, what's the title of your book and where can we buy it?
The title is Coming Back a Virgin and the publisher is Whiskey Creek Press-Torrid. It can be purchased from them. The link is in a previous question.

Tuesday, August 28, 2007

Fraterfamilias by Peter Ferrer


Why did you pick the setting you used in your story? I'm not looking for -- "because I live there". I want you to dig deep and tell us...

It all started with Paris. My cowriter, Judith, picked it because Paris is a lovely, ancient city and we've both been to it. As the initial situation played itself out, it became a matter of logic--where would you go if you were fleeing Paris after you'd committed murder? You have money and you can take a plane. Well, it's a straight shot over to New York and once you get clear of the airport, you can go pretty much anywhere on the continent. The story had to be set in New York.

What does the setting add to the story?
New York is a port city, cosmopolitan and multicultural, with a venerable history of crime. This gave us a chance to show the collisions between some very different characters.

Could you write the same story in a different setting?
We briefly considered setting it in Vancouver (Judith is from Vancouver), since so many stories are set in big American or European cities, already. But it didn't work out.

Why or why couldn't you use a different setting?
The opening scene really establishes the parameters for the setting such that it could not be any other city in the world. To set it elsewhere would be like setting "Casablanca" in Poughkeepsie. It wouldn't work. It just had to be New York.

Did you use a real place as a basis for your setting?
City-wise, yes. And we very carefully researched as much of the layout of the public places (like JFK and the Port Authority bus station and the public transit system) as we could for realism. That was hard because neither of us was anywhere near New York at the time that we wrote the book, though of course we've both been there. I'm sure there were some errors, since it's not easy to research things like public transport online in this day and age. People wonder why you're doing it!

Is there anything else about your setting that we need to know? Feel free to share.
We started writing the story before 9/11. Ultimately, we chose to set it before 9/11, as well. New York has changed since then and we wanted to deal with the fin de siecle atmosphere immediately before that, when many things were simmering but not exactly public knowledge. We also wanted to deal with the city's history of immigration, its cosmopolitan nature. We worried that by bringing 9/11 into it (as setting the story after 9/11 would inevitably do), everything else would fade and it would become a 9/11 thriller. There is more to New York than that.

Please provide your website link:
http://www.geocities.com/rpcv.geo/other.html

What is the link to buy your book?
http://www.virtualtales.com/StoryProducts~tn~Fraterfamilias.html

Tell us some specific details about your setting. What would we see? What sort of people are there? If we were traveling to your setting, what should we bring with us? For visitors, what do they need to know to visit your setting?
New York has a huge number of very different people in a relatively small space, with many boroughs that have their specific, colorful histories. One thing you'd notice right away are the subway and the busses. We use both extensively in our book because our characters are too poor to use taxis and New Yorkers don't generally drive. It's a huge public transport system dating back to the 19th century. A visitor to New York would also need to know about JFK (since this, along with La Guardia) is the major airport for the city, and the Port Authority bus station. When it comes to city public transport, bring a map, money and patience. You can go all over the place and see things you might not notice if you drove a car. But it may take you a while to get there.

Thank you for sharing details about your book setting.
Thank you for having me!

Now, what's the title of your book and where can we buy it:
Fraterfamilias, under the pseudonym "Peter Ferrer". You can find it at Virtual Tales, Fictionwise and several other online venues.

Tuesday, August 21, 2007

Judi Moreo and Kim Baccelia - Virtual Tour Stops

Promotional Interview with Judi Moreo

This is the first author promotional interview that I've posted on my Self Promotion blog on the Inspired Author site. This is the first interview in a series that I'm doing with Kathleen Gage. She is posting some on her blog and I'll be posting all of the interviews on my site. To read about Judi Moreo's promotion - visit http://inspiredauthor.com/v3/promotional-interview-judi-moreo-0

~ and ~

Kim Baccellia - Young Adult Author - Earrings of Ixtumea

Join Nikki Leigh and Muze as they interview young adult author Kim Baccelia about her book - Earrings of Ixtumea. This is the opening question of the interview -

Nikki & Muze – I was reading the synopsis for your book and was intrigued by the inner struggle that your character faces. It’s also interesting that she is confronted by the same cultural problems in the fantasy world. Can you give us some information about how you came up with this idea and what sort of problems she deals with in the story?

Kim –As a bilingual teacher in the later ‘80’s and early ‘90’s, I saw a lot with my second language students. I taught in a LA county school district, close to East LA. I also was researching my own family history at this time. I was bothered how each year my students would draw themselves blond, blue-eyed, and fair skinned. Click here to learn more about Kim and Earrings of Iztumeahttp://muzesmusings.blogspot.com/

Nikki Leigh – Fiction Author – www.nikkileigh.com
Book Promo 101 – www.nikkileigh.com/book_promo_101.htm
“Coastal Suspense with a Touch of Romance”